Svengoolie – Page 3 – Go Retire Psychiatrist

Svengoolie Hosts the Film “Abbott and Costello Meet Frankenstein”

Last night I watched “Abbott and Costello Meet Frankenstein” (released in 1948) for the first (and probably the last) time on Svengoolie. I thought I’d be able to watch it while wearing my new Svengoolie Holiday Sweater that Sena ordered for me, but it arrived too late in the evening for me to make the trip down the street to the mailbox pod. There are not enough street lights down there and who knows, the Wolfman could have jumped me. I got the sweater today and it looks great.

Sena watched a few minutes of the movie and gave up on it. I stuck it out all the way to the end in which you hear the voice of Vincent Price but don’t see him lighting up a smoke because he’s reprising the role of the Invisible Man.

Now for some comments about the movie, for which you can find information on Turner Classic Movies (TCM) and many other websites. I’ll admit, Costello playing the part of the hysterical Wilbur got too slap sticky for me. On the other hand, the bits between him and the Wolfman (played by Lon Chaney Jr, who also reprised the role of Larry Talbot) were pretty comical.

Frankly, what I really got a kick out of was Svengoolie’s recurring doodling riddle game, “Too Drawn Out” in which he rapidly sketches a few cartoons which, when you put them together in your mind translates to the name of a character in the film or a cornball joke about it.

Some people missed the Sven Squad in this show and in last week’s show. The Sven Squad includes Gwengoolie, Nostalgiaferatoo, and IMP (Ignatius, Malvolio, Prankenstein). Importantly (or not) I found out from a web search that the film is actually rerun annually (according to Svengoolie’s summary from the 2021 airing of the movie) because it’s the most requested film by fans. Since the Sven Squad was just put together last year, new scenes were not taped for this movie and the one last week, presumably also a rerun by the same assumption.

As an aside, my Svengoolie sweater has all the members of the Sven Squad on it, and it even includes Kerwyn.

At first, I mistakenly got the idea that Lon Chaney, Jr played Larry Talbot but refused to play the Wolfman because it involved slapstick humor. And somehow, I misread the Svengoolie summary about Glenn Strange playing “the Monster”—which of course meant the Frankenstein monster, not the Wolfman.

But I’m not the only one who’s ever thought that because other fans (I got this from the web) mentioned that Chaney didn’t like how the Wolfman was portrayed in clownish stunts in the film. I thought his sober portrayal of Larry Talbot contrasted sharply with Abbott and Costello’s constant screwball acting. Svengoolie pointed out a goof (which I missed) in the film where Dracula (played by Bela Lugosi) has his reflection clearly showing in a mirror. Nobody’s perfect. And that includes me trying to make up a drawing riddle:

***Hey it’s supposed to be Svengoolie!***

The Amaryllis Trio and Other News

The Amaryllis Trio in the living room are growing pretty fast, comparing them to a couple of weeks ago.

Other upcoming holiday news is that Sena ordered a Svengoolie holiday sweater for me. I’m not sure it qualifies as an ugly sweater. I hope it fits.

That reminds me that the upcoming Svengoolie film this Saturday is “Abbott and Costello Meet Frankenstein.” That’s another kind of trio. They also meet other monsters, including the Wolf Man and Dracula.

This movie, released in 1948, has also been shown on Turner Classic Movies (TCM). You don’t need to try to puzzle that one out. Go to the TCM web site and read what they say about the film. Hint: it’s definitely not satire.

We’ve never seen this one. Sena thought Abbott and Costello were a lot like the 3 Stooges, but I spoke up in support of the pair of comedians. The 3 Stooges were slapstick guys, but I often think of the Who’s on First routine by Abbott and Costello.

Thoughts Arising from the Film Dr. Phibes Rises Again

On Saturday night we watched the sequel to “The Abominable Dr. Phibes” movie, which is “Dr. Phibes Rises Again.” It was released in 1972. We also discovered that Turner Classic Movies (TCM) has shown the film. The TCM link has what I think is the best plot summary.

It makes us wonder what qualifies for classic status if TCM has this movie in its library. Incidentally, TCM also shows the other Svengoolie movie we saw recently, “Invaders from Mars.” I’m pretty sure I saw this on TV when I was a little kid. I have a vivid memory of the stocky green Martian stooges running stiff-legged through tunnels.

Anyway, I couldn’t find a clear definition of what a classic is. I think it depends on the category, in this case for shlock movies. Even Roger Ebert was all over the map about it (about films in general, not schlock horror films).

Anyway, TCM seemed to echo what Svengoolie and company speculated about as far as the last names of a few of the characters (in the trivia section, although I’m not so sure about the reference to jazz trumpeters). Svengoolie also mentioned the connection. Four of them happened to have last names that a few famous musicians had:

Darius Biederbeck: I start with that one because the jazz musician Bix Beiderbecke (note the spelling difference) has an Iowa connection. He was born in Davenport, Iowa.

Harry Ambrose: There might be a connection to Benjamin Baruch Ambrose, known professionally as Ambrose, who was a violinist and bandleader.

Hackett: Bobby Hackett was a famous jazz trumpet and cornet player. Just an aside, I usually mistakenly come up with the name Buddy Hackett when I try to remember Bobby Hackett. That might still be an interesting connection because Buddy Hackett played Marcellus Washburn in “The Music Man” film adaptation in 1962. Of course, this also has an obvious Iowa Connection. I found a reference which says that Marcellus had a song and dance routine in the “The Music Man.” I’m from Mason City (River City in the musical) and I’ve never seen the play or the movie.

Lombardo: Guy Lombardo was a violinist and bandleader who had a jazz style.

What makes the connection important and whether it figures into whether the movie is a classic or not is beyond me. However, music is an important feature in “Dr. Phibes Rises Again” as it was in the first film, “The Abominable Dr. Phibes.” Phibes is frequently playing an organ and waving his arms around like a drunken bandleader.

And then there is the mechanical band. It’s probably not a real mechanical band, but actors who try to mimic the movements of robotic musicians. I found a comment about this in a web article in which the commenter thought he saw one of the robots moving a little too smoothly.

Humor is a feature in “Dr. Phibes Rises Again” as it was in the first film. The clownish and incompetent police officers, Inspector Trout and Superintendent Waverley reappear. This comedy relief may be an attempt to offset some of the more vividly horrifying murder scenes. Trout makes a jarring joke about one of the characters who was crushed in one of Phibes’ diabolical torture machine- “Baker had a bad night.”

This reminds me of what I appreciate about Svengoolie, who always warns the TV audience when grisly scenes that might be too intense are coming up. If you decide to see the film, you might want to skip the scorpion scene.

Dr. Phibes Loves Brussels Sprouts

I watched the 1971 movie “The Abominable Dr. Phibes” last night on the Svengoolie show last night and I just have a few remarks. It starred Vincent Price as the ghoulish Dr. Phibes who was really cranky about doctors who he accused of botching the medical treatment of his wife who died in the hospital.

Supposedly, Dr. Phibes was killed in a fiery car crash on his way to the hospital to see her. Of course, he survived to take revenge on the doctors by killing them in a pattern that mimicked the deadly biblical plagues, which most people remember from another movie, “The 10 Commandments.”

I’ve never seen “The Abominable Dr. Phibes” and like most of the movies on Svengoolie, it was fodder for corny jokes, of which Svengoolie always has a big supply.

There was even a psychiatrist victim. The way Dr. Phibes knocked him off was to somehow get him invited to a costume party where he gives him a special whole head mask of a frog. It has a diabolical mechanism which slowly tightens around the psychiatrist’s neck, finally cutting his throat.

I guess you could say the psychiatrist croaked (see what I did there?).

OK, so frogs are consistent with one of the plagues foretold by Moses and is loosely based on the biblical scripture of Exodus.

On the other hand, there were several other murders of doctors which made you scratch your head about the biblical plague plot.

Dr. Phibes impaled one doctor by shooting a large brass statue of a unicorn at him from a block away. One of the humorous (dark humor, of course) parts of the movie were the inept police who were supposed to be protecting the doctors from Dr. Phibes. They tried to figure out how to unscrew the horn of the brass unicorn from the victim (clockwise or counterclockwise?). Although I’m anything but a biblical scholar, as I recall, there was no plague of brass unicorn statues impaling the Israelites.

One of the more bizarre plagues was juiced brussels sprouts followed by locusts which apparently think it’s a tasty sauce that leads to them chewing the face off a nurse.

Speaking of going faceless, toward the end of the film, Dr. Phibes reveals he has no face. This either means that his face was burned away in the car accident or that one of his favorite foods was brussels sprouts garnished with locusts.

It looks like you can watch The Abominable Dr. Phibes on the Internet Archive, which apparently survived being hacked a month ago.

The Incredible Shrinking Headshrinker

Last week we saw the 1957 movie “The Incredible Shrinking Man” on the Svengoolie show on the MeTV channel. We’ve never seen it before and it actually got pretty good reviews back in the day. The main character, Scott Carey, was played by Grant Williams. You can watch the movie for free on the Internet Archive.

According to some interpretations, the story uses the metaphor of diminishing size to highlight the diminishing role of masculinity in American society in the 1950s or human notions in general about one’s self-worth in society.

It got me thinking about how the challenges of adjusting to retirement as a process has been (and still is to some degree) for me. I started out with gradual reduction of my work schedule in the form of a phased retirement contract. It was difficult.

I was reminded of how difficult it was to slow down, especially as a teacher of residents and other health care trainees, when I was going through some old papers after the recent move to our new house. They included teaching awards I’d received over the years.

I was struck by how small my self-perceived role in psychiatry and medicine has gradually become in the last few years. I’ve been shrinking, similar to Scott Carey. In fact, I’m a shrinking headshrinker.

I don’t want to spend too much time ruminating about what retirement means to me. I think it’s a very common response to perceive the world gets smaller when you retire.

It doesn’t help much to intellectualize about shrinking in this way. Scott Carey eventually accepted his diminishing stature, even to the point of disappearance. Grief about this kind of loss is normal, although I’m realizing that grief might never completely disappear.

The Most Interesting Thing About the Svengoolie Movie House of Frankenstein

We saw the movie House of Frankenstein last Saturday night and, spoiler alert, everybody dies!

Anyway, the main impulse we had when listening to Boris Karloff (who played Dr. Gustav Niemann) was to think of something I’m not even sure I can say on this blog due to the strict copyright laws governing even the utterance what I’m going to call NAME. I’m using only the word NAME because I’m afraid Dr. Sues Enterprises will track me down and sue me for copyright infringement if I actually say NAME.

Yes, Dr. Sues Enterprises is intentionally spelled that way because I’m not even sure I can say their name without getting slapped with a lawsuit.

No kidding (and this is no joke by the way), I read a lot of scary stuff on line about how NAME is not in the public domain and what can happen to you if you even say it out loud.

I think I can get away with saying that Boris Karloff was 79 years old when he voiced NAME in the movie which I guess will have to remain nameless.

There are people who get away with it, though. Maybe it’s because they pay for the privilege of uttering NAME.

Here’s an interesting thing. Pixabay has a lot of pictures that are royalty-free. You want to guess what I found there? Pictures of NAME! I don’t know how they get away with it. OK, so maybe it’s because they don’t charge a fee for use.

On the other hand, there’s this guy who wrote in to some kind of ask-a-lawyer website that he sells a tee shirt that has NAME printed on it. He got a copyright infringement notice and asks why he can’t get away with it. All the lawyers who answered said he can’t sell shirts with NAME on it because Dr. Sues Enterprises has a federal trademark registration on NAME.

Anyway, that’s the most interesting part about the movie House of Frankenstein.

Ahm a Fan of the Svengoolie Movie The Land That Time Forgot

We watched the Svengoolie movie, The Land That Time Forgot last Saturday night. Doug McClure stars as Bowen Tyler. He and others passengers of a ship are taken prisoner by the crew of a German U-Boat (World War I era) which torpedoed the ship. Officers of the torpedoed ship and Tyler overpower the U-Boat crew. They all end up on the island of Caprona somewhere in the South Atlantic.

The island is crawling with thunder lizards of every kind including diplodocus. The dinosaurs are evolving alongside primitive humans who evolve by migrating north on the island “…instead of by natural selection” according to Wikipedia). Various humans both primitive and modern are casually slain and eaten and the rapidly evolving primitive humans pick off the moderns at random.

Only one primitive doesn’t seem to evolve beyond being a goofy guy named Ahm, who has trouble operating a handsaw and who refers to himself in the third person:

“Ahm out of breath!”

“Ahm goin’ back down

To Kansas soon

Bring back the second cousin

Little Johnny Coocheroo

Ahm a man

Spelled M-A-N

Man

Ohoh, ah-oh…” and so Ahm and so forth.

Ahm is very loyal to the moderns, even after he supposedly evolves to the status of the Galoo, who hate the moderns and try to kill them at every opportunity. But Ahm saves Tyler from being snatched up by a pterodactyl—sacrificing his own life, yelling “Ahm a loser and Ahm not what Ahm appear to be,” waving his arms and legs helplessly in the pterodactyl’s bill as it flies off into the great blue yonder.

I couldn’t remember what actor played the evil German who ultimately was responsible for getting the U-Boat destroyed at the end during a volcanic catastrophe. But he was the same guy who was the 4^th actor to play the role of Doctor Who’s major archenemy, The Master. Svengoolie revealed that the actor’s name was Anthony Ainley and he played Major Dietz in The Land That Time Forgot.

The reason I bring that up is not just because he looked vaguely familiar to me because I used to watch Doctor Who. I searched the web for his name and the first answer that appeared at the top of the page was the Artificial Intelligence, now called Gemini, (not Google Assistant as Gemini claims), the artist formerly known as Bard), which is crazy wrong: “Doug McClure, an actor known for his cowboy roles, plays one of Dr. Who’s greatest enemies in the 1974 film The Land That Time Forgot.”

This is why you should be skeptical of almost everything AI says.

How evolution is affected by migratory patterns is not well explicated in The Land That Time Forgot although it probably does play a role. When somebody invents a time machine, we could just go back and ask Darwin.

Svengoolie Movie Trilogy of Terror!

Last Saturday we watched the movie Trilogy of Terror on the Svengoolie show. Well, we tried anyway. There were a lot of interruptions from severe weather warnings. We didn’t mind them because you ignore them at your peril. It’s hard to forget the 2020 derecho in Iowa, which affected a lot of Iowans, including us.

Trilogy of Terror had some psychiatric aspects to it that reminded me how Hollywood frequently gets it wrong when portraying them in films—but sometimes hits the nail on the head.

Although we missed parts of the first and second parts of the movie, it wasn’t difficult to figure out the psychological angle. Both “Julie” and “Millicent and Therese” made me think of antisocial personality disorder (ASPD). The male college graduate student was a pretty good example of a predatory guy lacking any conscience and feeling no remorse for his bad behavior against his apparently meek and defenseless teacher, Julie.

But then the tables were turned and it was Julie who was actually the convincing, coldly calculating and remorseless psychopathic serial killer. She kept a scrapbook of the newspaper stories about her many victims.

One of my colleagues wrote the book about ASPD. Dr. Donald Black, MD, is the author of Bad Boys, Bad Men: Confronting Antisocial Personality Disorder (Sociopathy). In it he recounts the story of serial killer John Gacy. He was diagnosed with ASPD at the University of Iowa. He collected a great deal of data about antisocial men and also acknowledges that women can be diagnosed with ASPD. He has also co-edited and published the Textbook of Antisocial Personality Disorder.

The “Millicent and Therese” part of the movie displayed how a woman can be diagnosed with ASPD. This was the character Therese—who was also Millicent, a very strait-laced alter personality, which makes this also a case of what you could call dissociative identity disorder (DID), which may be related to severe trauma. This used to be called multiple personality disorder. What was interesting about this part of the movie was that both identities were being managed somehow by a family physician, not a psychiatrist—which is not at all plausible.

The last part of Trilogy of Terror is “Amelia,” in which Amelia buys a Zuni fetish doll (named “He Who Kills”) which she intends to give to her boyfriend. However, she’s in a hostile, dependent relationship with her mother who controls her and interferes with every aspect of her life. Of course, the doll comes to life and tries to kill her.

The struggle between Amelia and the doll makes me think about her internal struggle with angry and probably murderous feelings about her controlling mother. Amelia finally internalizes the doll’s rage (actually her own) when he emerges from the oven where she shoved him in an apparently futile attempt to burn him to a crisp. What it looks like is that she inhaled the smoke, finally owning her own rage by internalizing the doll’s smoky remains. This transforms her into a vengeful killer (now grinning with the sharp teeth of the doll) who calls her mother to invite her over to her apartment with the obvious plan to cut her to pieces with a large knife.

This is probably not a movie for kids or sensitive adults, which Svengoolie acknowledges several times during the show. This is why I like the segment with Kerwyn, the dad joke telling chicken with teeth who is voiced by Rich Koz, who also plays Svengoolie. Usually during that segment he tells a series of jokes, repeating the lines a couple of times, seemingly in an effort to teach you how to tell dad jokes. There’s also a Kerwyn joke of the week event, in which he tells a joke submitted by a fan. The joke video takes a few seconds to load, so be patient.

Svengoolie Saturday Night Movie: The Wolf Man

Here’s a suitable sort of dad joke Svengoolie style for the 1941 horror movie classic, The Wolf Man:

What do you call a dirty joke about the wolfman given at the strait-laced werewolf convention? A howler.

See what I did there? It puns on the word “howler” defined as an embarrassing mistake that evokes laughter, and also puns on the werewolf’s habit of howling. So, the mistake is the dirty joke being told to a convention audience of strait-laced (strictly moralistic) werewolves. OK, whatever.

I’m not great at telling dad jokes, although I like to hear them. I almost bought a book of dad jokes the other day, but when I read the copyright notice, I decided against it:

The notice of copyright for this book of dad jokes is to inform the purchaser that it is hereby forbidden to share these jokes in written, spoken, whispered, or telepathically delivered form to anyone else. Only the purchaser may whisper the jokes to himself as long as no other person is within earshot although it is preferable to read them silently. If this copyright notice is violated (and we will know because of the cleverly hidden monitoring device inserted in the text on each and every page), the publisher has the right to pursue every legal action necessary to extract money and suitable vengeance on the perpetrator, which means you.

I’ve been to the bookstore which sells several dad joke books and they all have this kind of copyright notice in them, regardless of who writes the books. I end up not buying any of them. Consequently, I never learn how to tell dad jokes. But that probably won’t stop me from trying.

Anyway, we saw The Wolf Man last Saturday and it’s a classic B horror movie. It was our first time seeing it and Lon Chaney, Jr. was a great werewolf. He didn’t like being called junior. We found out his father was a movie star too. I don’t think anybody called him Lon Chaney, Sr.

You can find attempts on the web to attach psychoanalytic interpretations of the Wolf Man, but I don’t buy them. On the other hand, there are some quotes from the film that sound like psychological observations:

Dr. Lloyd, the family physician: “I believe a man lost in the mazes of his own mind may imagine that he’s anything.”

Sir John Talbot (Larry the werewolf’s father): “Larry, to some people, life is very simple. They decide that this is good, that is bad. This is wrong, that’s right. There’s no right in wrong, no good in bad. No shadings and greys, all blacks and whites…Now others of us find that good, bad, right, wrong, are many-sided, complex things. We try to see every side but the more we see, the less sure we are. Now you asked me if I believe a man can become a wolf. If you mean “Can it take on physical traits of an animal?” No, it’s fantastic. However, I do believe that most anything can happen to a man in his own mind.”

You can see The Wolf Man on the internet archive. You can make up your own mind about it.

Svengoolie Movie: Island of Terror!

The Saturday night Svengoolie movie was Island of Terror. This one was released in 1966 and starred Peter Cushing as one of the scientists who battle monsters who are snacking on the skeletons of humans. The monsters are also silicon-based.

These two elements reminded me of a couple of other things. One was the short horror story “Skeleton,” (often miswritten as Skeletons or The Skeletons). It was published by Ray Bradbury in 1945. It involves a weird doctor, Dr. M. Munigant, who treats Mr. Harris’s hypochondriacal preoccupation with his painful bones—by slurping all the bones out of his body, leaving him alive but like a jellyfish.

OK, so Bradbury’s story is really not closely related to the film—except they both involve feeding on skeletons.

The other thing Island of Terror reminds me of is the X-Files episode “Firewalker.” That’s because both conveyed the idea that life could be based on the element silicon. The fungus that took over the characters in “Firewalker” were silicon-based. The skeleton-munching monsters on the Island of Terror were silicon-based lifeforms and are called silicates in the movie.

And that leads to speculations about how the Island of Terror silicon-based, skeleton-eating monsters were defeated by the scientists. Nothing kills them but Strontium-90. But they don’t attack them directly with the isotope. Instead, they feed it to cattle, which the monsters then scarf down. Eating the Strontium-90 kills them.

Strontium-90 is an isotope that comes from nuclear bomb radiation fallout and nuclear accidents. The radioactive waste in nuclear reactors contains a lot of Strontium-90 and exposure to it can cause leukemia and—bone cancer. Bullets, bombs, and dynamite don’t harm the silicates.

Why does Strontium-90 destroy the silicates? As near as I can tell, because they get ultra-rapid progressive bone cancer from eating too many skeletons with bone-seeking Strontium-90. Or maybe they get radiation sickness.

Anyway, the movie itself was entertaining. The location of the action was on an island off the coast of Ireland. That might explain why most of the landscape looked Kelly green. The creature effects were pretty odd. The silicates moved very slowly, yet were able to catch humans easily, sometimes by climbing trees and dropping on their victims from above. I’m not sure how they were able to climb trees.

They also reproduced by fission, which revealed a chicken noodle soup-like substance between the two new silicates. This apparently violates the universal law that chicken noodle soup cures everything. It also promotes the typical Svengoolie Dad jokes, such as:

How do the silicates promote STEM (Science, Technology, Engineering, and Math)? They divide and multiply.

Leave a comment if you have a bone to pick with me about this post or a good Dad joke (is that a contradiction in terms?).