Hey, I thought it would be fun to share an interview that somebody did of Svengoolie at the Comic-Con in San Diego yesterday. Svengoolie is played by Rich Koz and he’s been around a long time. He’s definitely not thinkinig of retiring. The only way we would have recognized him is by his voice!
Tag: Svengoolie
Svengoolie Movie: “Return of the Vampire” Hits it On the Jugular
We watched the Svengoolie show movie, “Return of the Vampire.” I should say Sena watched about 10 minutes of it on the Internet Archive and said it was pretty good. The film was directed by Lew Landers. The writers were Randall Faye, Kurt Neumann (The Fly 1958), and Griffin Jay (Cry of the Werewolf 1944).
The movie was produced by Columbia and released in 1943. Bela Lugosi stars as the vampire Armand Tesla (no relation to Nikola Tesla) and never once says “Bluh, bluh!” This distinguishes him from Dracula, which you can’t even whisper by mistake without being ensnared in a net by lawyers who wouldn’t bat an eyelash at bleeding you dry of all your assets, so wear a garlic necklace.
He couldn’t be called Dracula in this production by Columbia because Universal had already made a few dollars on the Dracula name in their production and threatened Columbia to a thumb-wrestling match between top executives if they plagiarized the name Dracula. Soreheads!
You can’t miss Lugosi’s clawlike hands and the cobra-like sinuosity of his fingers as he mesmerizes his victims. If I tried to imitate that, I’d get cramps. Armand Tesla has all the customary power of vampires, and at least in this film, the producers get it right when we see he casts no reflection in a mirror. But he needs a valet named Andreas who is always bringing him a parcel, presumably with fresh capes from the dry cleaners.
The story spans two world wars; in WWI, Tesla gets bumped off with a spike; in WWII, he gets a new lease on undead life from the Nazi bombing and bungling civil servants (see below), regaining control over Andreas which he lost in WWI when he got spiked. Tesla’s new goal is to recruit a fresh vampire and try the new Wendy’s Frosty flavor, the Bloody Nicki.
Matt Willis plays Andreas Obry, the vampire’s hairy butler, a talking werewolf whose diction doesn’t fumble over his fangs. He’s pretty sharp in a suit but why he doesn’t complete the ensemble with a smart pair of oxfords is puzzling. He prowls barefoot across the graveyards, gardens, and sidewalk cafes (he ignores the signs “No shirt, no shoes, no service”). Watch for his pro wrestling moves in an alley with a couple of hapless detectives who can barely lay a glove on him.
Comedy bits are spaced at tolerable intervals, like the two civil servants in the graveyard who fumble about and do something with the spike that, without their scene, would make the film pretty short. That’s “spike,” not “stake.” They’re in England, after all.
Probably the peak moment in the film is when Andreas unexpectedly makes a different kind of transformation.
The little quarrels between Lady Jane Ainsley and Scotland Yard detective Sir Frederick Fleet (no relation to enemas) highlight the dumb male and smart female dynamic, a thread which runs throughout the movie.
Lady Ainsley: Sir Frederick, I declare I can’t abide it any longer; mud tracked all over the carpet, wolf hair on the toothbrush, and dust on the crucifix!
Sir Frederick: My dear Lady Ainsley, there is no such thing as dirt!
And how is all that fog getting into the house? You can barely see the walls—except for the fourth one.
We think the movie is pretty good!
Svengoolie Movie: “Village of the Danged Eyeballs!”
OK, so the name of the film is actually Village of the Damned, released in 1960 and directed by Wolf Rilla. It stars George Sanders as Professor Gordon Zellaby and Barbara Shelley as his wife, Anthea Zellaby. It’s based on a British Novel, The Midwich Cuckoos by John Wyndham. The gist of the story is that the whole village of Midwich falls asleep, wakes up a few hours later and things are fine until two months pass. That’s when all the trouble starts. You can see the movie on the Internet Archive.
It just so happens that the Great Mutato (Izzy) from the X-Files episode, “The Post-Modern Prometheus” is running around the village impregnating all the women. OK, so Izzy’s not part of the plot at all but it sounds cool.
One morning, all the people of Midwich fall unconscious in the middle of whatever they’re doing, which might have been a community wide orgy (usually prohibited by Homeowner Association rules) based on what happens next. The Midwich women do all get pregnant at the same time which raises eyebrows, and leads to the men raising many glasses of beer because they’re not thrilled about it.
According to an x-ray, which happens to be that of a man, the pregnancy outbreak is indiscriminate. Actually, Svengoolie let the cat out of the bag on that, revealing the goof of using an x-ray of a man by mistake. Of course, the doctors point at the film and sagely remark that the fetus is developing normally. One of the doctors is a smoker. Maybe the x-ray of a man was used to avoid using an x-ray of a pregnant woman, which is not the greatest idea in the world.
This reminds me of our freshman medical school radiology teacher. Dr. Bill Erkonen was the nicest guy in the world and he always reassured us that we shouldn’t try to memorize anything for the radiology exams. He would advise, “Just learn it.” Of course, we were medical students and we knew there was no way to learn anything in medical school; memorization was the only path. We loved him.
Anyway, they (meaning the women) all deliver at the same time and the whippersnappers mature at a highly accelerated rate (males learn quickly to stay away from dangerous things like vacuum cleaners). And their eyes glow. All they have to do is stare at the adults who immediately buy them expensive cars, jewelry, and designer sunglasses. They also teach adults to avoid the self-checkout aisles at grocery stores.
But they can also force adults to do scary things. This becomes a world-wide phenomenon leading to drastic actions by governments to do something about the kids with the danged eyeballs. The solutions don’t include hiring them to work for the post office.
I thought this was actually a pretty good movie. It’s probably a film inspired in part by the post-WWII, Cold War era and the threat of attack from some outside unknown, malignant force. The title of John Wyndam’s book “The Midwest Cuckoos” is based on bird behavior, specifically that of cuckoos laying their eggs in another bird’s nest leaving it to be raised by another bird at the expense of its own. Brown-headed cowbirds do the same thing. The X-Files extraterrestrial-human hybrid mythology is another way to express the idea. The violence in the film makes it unsuitable for younger or sensitive viewers.
The Svengoolie Movie: The Deadly Mantis
I watched the 1957 giant insect movie, “The Deadly Mantis” last night on the Svengoolie TV show, and Sena watched some of it. At times, it was a little hard to tell if this was a romantic comedy or a giant insect horror flick. The reporter Marge Blaine (played by Alix Talton) and Colonel Joe Parkman (played by Craig Stevens) had this fling going on which sometimes took precedence over the huge, deadly papier-mâché praying mantis.
There’s a lot of stock film footage of the military and important military radar dividing lines across the northern hemisphere including the DEW Line (standing for Distant Early Warning Line) which were real. There were a couple of shots of Greenland, which is important to you know which U.S. President—who was probably unaware at the time of the dangerous mantis unthawed from its icebound prison in the North Pole.
If you look carefully in the upper right-hand side of the frame at the 34:48-time mark, in the Internet Archive black and white copy of the film, you’ll see an important goof that Svengoolie pointed out (which I missed at first). It’s the shadow of the large microphone and boom which shows up as Marge and Dr. Nedrick Jackson are leaving the room (Jackson is played by William Hopper, cue Perry Mason music because he played detective Paul Drake on that TV Show). It’s interesting that the Perry Mason show was starting the same year this movie was filmed.
One detail never specified about the monster is its exact species. We can’t tell if it’s the European praying mantis or the invasive Chinese Mantis. That’s not important for the movie, but again, it might be important on the world’s current political stage. Most entomologists advise destroying the eggs of the Chinese Mantis. I don’t know if tariff escalation would work. I think it’s hard to distinguish different mantis species eggs apart and we also don’t know the gender of the giant mantis in the movie.
That’s an important detail, which is only delicately referred to in the film as Dr. Jackson reads aloud from a book about the insect’s mating process, which invariably concludes by the female biting off the head of the male and often eating him (called sexual cannibalism). In the movie, Dr. Jackson reads aloud a gentler description, “The female is larger than the male and invariably destroys her mate when he’s fulfilled his function in life.”
There are interesting parallels to the mantis in the way the male and female lead actors interact with each other in the movie. Colonel Parkman and Dr. Jackson both behave like typical male chauvinists, and Marge never bites their heads off. But the romance doesn’t go that far. Marge dances with the soldiers but there’s no scene with Elvis Presley dancing and singing “Heartbreak Hotel.”
And there’s no time for any of that because the giant mantis is too ravenous after being cooped up for thousands of years in an iceberg. All it wants is breakfast: “Two humans on a raft and wreck’em” or is it “Two humans, dummy side up”? Whatever.
Anyway, the ferocious mantis ends up sort of like the bad-tempered giant cockroach in the 1997 movie “Men in Black.” Agents K and J speed through the New York Brooklyn-Battery Tunnel and have a showdown. The soldiers in The Deadly Mantis have their showdown with the monster in New York also, but it’s in what’s called The Manhattan Tunnel, which I found out doesn’t even exist.
But the parallels don’t stop there. Just before that, the terrifying insect climbs the Washington Monument (to get to the top, of course) and buzzes the White House. During the search for the bad bug, the military brass order that every U.S. citizen in the area report any “Unusual Flying Object,” in other words every UFO.
That means the sequel to both movies would need an extraterrestrial giant, bad-tempered female cockroach and mantis hybrid looking to bite the head off a suitable mate who crash-lands her UFO in the 51st state (formerly Canada) leading to the emergency mobilization of Men in Black who partner with Red Green and the rest of the Possum Lodge members to use duct tape and bug spray to overcome the beast and finally ensure peace by neuralyzing everyone in the world using a souped-up satellite owned by Elon Musk. Svengoolie will tell jokes.
It just goes to show you, we’re humans, but we can change, if we have to…we guess.
Svengoolie Hosts the Film “Abbott and Costello Meet Frankenstein”
Last night I watched “Abbott and Costello Meet Frankenstein” (released in 1948) for the first (and probably the last) time on Svengoolie. I thought I’d be able to watch it while wearing my new Svengoolie Holiday Sweater that Sena ordered for me, but it arrived too late in the evening for me to make the trip down the street to the mailbox pod. There are not enough street lights down there and who knows, the Wolfman could have jumped me. I got the sweater today and it looks great.
Sena watched a few minutes of the movie and gave up on it. I stuck it out all the way to the end in which you hear the voice of Vincent Price but don’t see him lighting up a smoke because he’s reprising the role of the Invisible Man.
Now for some comments about the movie, for which you can find information on Turner Classic Movies (TCM) and many other websites. I’ll admit, Costello playing the part of the hysterical Wilbur got too slap sticky for me. On the other hand, the bits between him and the Wolfman (played by Lon Chaney Jr, who also reprised the role of Larry Talbot) were pretty comical.
Frankly, what I really got a kick out of was Svengoolie’s recurring doodling riddle game, “Too Drawn Out” in which he rapidly sketches a few cartoons which, when you put them together in your mind translates to the name of a character in the film or a cornball joke about it.
Some people missed the Sven Squad in this show and in last week’s show. The Sven Squad includes Gwengoolie, Nostalgiaferatoo, and IMP (Ignatius, Malvolio, Prankenstein). Importantly (or not) I found out from a web search that the film is actually rerun annually (according to Svengoolie’s summary from the 2021 airing of the movie) because it’s the most requested film by fans. Since the Sven Squad was just put together last year, new scenes were not taped for this movie and the one last week, presumably also a rerun by the same assumption.
As an aside, my Svengoolie sweater has all the members of the Sven Squad on it, and it even includes Kerwyn.
At first, I mistakenly got the idea that Lon Chaney, Jr played Larry Talbot but refused to play the Wolfman because it involved slapstick humor. And somehow, I misread the Svengoolie summary about Glenn Strange playing “the Monster”—which of course meant the Frankenstein monster, not the Wolfman.
But I’m not the only one who’s ever thought that because other fans (I got this from the web) mentioned that Chaney didn’t like how the Wolfman was portrayed in clownish stunts in the film. I thought his sober portrayal of Larry Talbot contrasted sharply with Abbott and Costello’s constant screwball acting. Svengoolie pointed out a goof (which I missed) in the film where Dracula (played by Bela Lugosi) has his reflection clearly showing in a mirror. Nobody’s perfect. And that includes me trying to make up a drawing riddle:
The Amaryllis Trio and Other News
The Amaryllis Trio in the living room are growing pretty fast, comparing them to a couple of weeks ago.
Other upcoming holiday news is that Sena ordered a Svengoolie holiday sweater for me. I’m not sure it qualifies as an ugly sweater. I hope it fits.
That reminds me that the upcoming Svengoolie film this Saturday is “Abbott and Costello Meet Frankenstein.” That’s another kind of trio. They also meet other monsters, including the Wolf Man and Dracula.
This movie, released in 1948, has also been shown on Turner Classic Movies (TCM). You don’t need to try to puzzle that one out. Go to the TCM web site and read what they say about the film. Hint: it’s definitely not satire.
We’ve never seen this one. Sena thought Abbott and Costello were a lot like the 3 Stooges, but I spoke up in support of the pair of comedians. The 3 Stooges were slapstick guys, but I often think of the Who’s on First routine by Abbott and Costello.
Thoughts Arising from the Film Dr. Phibes Rises Again
On Saturday night we watched the sequel to “The Abominable Dr. Phibes” movie, which is “Dr. Phibes Rises Again.” It was released in 1972. We also discovered that Turner Classic Movies (TCM) has shown the film. The TCM link has what I think is the best plot summary.
It makes us wonder what qualifies for classic status if TCM has this movie in its library. Incidentally, TCM also shows the other Svengoolie movie we saw recently, “Invaders from Mars.” I’m pretty sure I saw this on TV when I was a little kid. I have a vivid memory of the stocky green Martian stooges running stiff-legged through tunnels.
Anyway, I couldn’t find a clear definition of what a classic is. I think it depends on the category, in this case for shlock movies. Even Roger Ebert was all over the map about it (about films in general, not schlock horror films).
Anyway, TCM seemed to echo what Svengoolie and company speculated about as far as the last names of a few of the characters (in the trivia section, although I’m not so sure about the reference to jazz trumpeters). Svengoolie also mentioned the connection. Four of them happened to have last names that a few famous musicians had:
Darius Biederbeck: I start with that one because the jazz musician Bix Beiderbecke (note the spelling difference) has an Iowa connection. He was born in Davenport, Iowa.
Harry Ambrose: There might be a connection to Benjamin Baruch Ambrose, known professionally as Ambrose, who was a violinist and bandleader.
Hackett: Bobby Hackett was a famous jazz trumpet and cornet player. Just an aside, I usually mistakenly come up with the name Buddy Hackett when I try to remember Bobby Hackett. That might still be an interesting connection because Buddy Hackett played Marcellus Washburn in “The Music Man” film adaptation in 1962. Of course, this also has an obvious Iowa Connection. I found a reference which says that Marcellus had a song and dance routine in the “The Music Man.” I’m from Mason City (River City in the musical) and I’ve never seen the play or the movie.
Lombardo: Guy Lombardo was a violinist and bandleader who had a jazz style.
What makes the connection important and whether it figures into whether the movie is a classic or not is beyond me. However, music is an important feature in “Dr. Phibes Rises Again” as it was in the first film, “The Abominable Dr. Phibes.” Phibes is frequently playing an organ and waving his arms around like a drunken bandleader.
And then there is the mechanical band. It’s probably not a real mechanical band, but actors who try to mimic the movements of robotic musicians. I found a comment about this in a web article in which the commenter thought he saw one of the robots moving a little too smoothly.
Humor is a feature in “Dr. Phibes Rises Again” as it was in the first film. The clownish and incompetent police officers, Inspector Trout and Superintendent Waverley reappear. This comedy relief may be an attempt to offset some of the more vividly horrifying murder scenes. Trout makes a jarring joke about one of the characters who was crushed in one of Phibes’ diabolical torture machine- “Baker had a bad night.”
This reminds me of what I appreciate about Svengoolie, who always warns the TV audience when grisly scenes that might be too intense are coming up. If you decide to see the film, you might want to skip the scorpion scene.
Dr. Phibes Loves Brussels Sprouts
I watched the 1971 movie “The Abominable Dr. Phibes” last night on the Svengoolie show last night and I just have a few remarks. It starred Vincent Price as the ghoulish Dr. Phibes who was really cranky about doctors who he accused of botching the medical treatment of his wife who died in the hospital.
Supposedly, Dr. Phibes was killed in a fiery car crash on his way to the hospital to see her. Of course, he survived to take revenge on the doctors by killing them in a pattern that mimicked the deadly biblical plagues, which most people remember from another movie, “The 10 Commandments.”
I’ve never seen “The Abominable Dr. Phibes” and like most of the movies on Svengoolie, it was fodder for corny jokes, of which Svengoolie always has a big supply.
There was even a psychiatrist victim. The way Dr. Phibes knocked him off was to somehow get him invited to a costume party where he gives him a special whole head mask of a frog. It has a diabolical mechanism which slowly tightens around the psychiatrist’s neck, finally cutting his throat.
I guess you could say the psychiatrist croaked (see what I did there?).
OK, so frogs are consistent with one of the plagues foretold by Moses and is loosely based on the biblical scripture of Exodus.
On the other hand, there were several other murders of doctors which made you scratch your head about the biblical plague plot.
Dr. Phibes impaled one doctor by shooting a large brass statue of a unicorn at him from a block away. One of the humorous (dark humor, of course) parts of the movie were the inept police who were supposed to be protecting the doctors from Dr. Phibes. They tried to figure out how to unscrew the horn of the brass unicorn from the victim (clockwise or counterclockwise?). Although I’m anything but a biblical scholar, as I recall, there was no plague of brass unicorn statues impaling the Israelites.
One of the more bizarre plagues was juiced brussels sprouts followed by locusts which apparently think it’s a tasty sauce that leads to them chewing the face off a nurse.
Speaking of going faceless, toward the end of the film, Dr. Phibes reveals he has no face. This either means that his face was burned away in the car accident or that one of his favorite foods was brussels sprouts garnished with locusts.
It looks like you can watch The Abominable Dr. Phibes on the Internet Archive, which apparently survived being hacked a month ago.
The Incredible Shrinking Headshrinker
Last week we saw the 1957 movie “The Incredible Shrinking Man” on the Svengoolie show on the MeTV channel. We’ve never seen it before and it actually got pretty good reviews back in the day. The main character, Scott Carey, was played by Grant Williams. You can watch the movie for free on the Internet Archive.
According to some interpretations, the story uses the metaphor of diminishing size to highlight the diminishing role of masculinity in American society in the 1950s or human notions in general about one’s self-worth in society.
It got me thinking about how the challenges of adjusting to retirement as a process has been (and still is to some degree) for me. I started out with gradual reduction of my work schedule in the form of a phased retirement contract. It was difficult.
I was reminded of how difficult it was to slow down, especially as a teacher of residents and other health care trainees, when I was going through some old papers after the recent move to our new house. They included teaching awards I’d received over the years.
I was struck by how small my self-perceived role in psychiatry and medicine has gradually become in the last few years. I’ve been shrinking, similar to Scott Carey. In fact, I’m a shrinking headshrinker.
I don’t want to spend too much time ruminating about what retirement means to me. I think it’s a very common response to perceive the world gets smaller when you retire.
It doesn’t help much to intellectualize about shrinking in this way. Scott Carey eventually accepted his diminishing stature, even to the point of disappearance. Grief about this kind of loss is normal, although I’m realizing that grief might never completely disappear.
The Most Interesting Thing About the Svengoolie Movie House of Frankenstein
We saw the movie House of Frankenstein last Saturday night and, spoiler alert, everybody dies!
Anyway, the main impulse we had when listening to Boris Karloff (who played Dr. Gustav Niemann) was to think of something I’m not even sure I can say on this blog due to the strict copyright laws governing even the utterance what I’m going to call NAME. I’m using only the word NAME because I’m afraid Dr. Sues Enterprises will track me down and sue me for copyright infringement if I actually say NAME.
Yes, Dr. Sues Enterprises is intentionally spelled that way because I’m not even sure I can say their name without getting slapped with a lawsuit.
No kidding (and this is no joke by the way), I read a lot of scary stuff on line about how NAME is not in the public domain and what can happen to you if you even say it out loud.
I think I can get away with saying that Boris Karloff was 79 years old when he voiced NAME in the movie which I guess will have to remain nameless.
There are people who get away with it, though. Maybe it’s because they pay for the privilege of uttering NAME.
Here’s an interesting thing. Pixabay has a lot of pictures that are royalty-free. You want to guess what I found there? Pictures of NAME! I don’t know how they get away with it. OK, so maybe it’s because they don’t charge a fee for use.
On the other hand, there’s this guy who wrote in to some kind of ask-a-lawyer website that he sells a tee shirt that has NAME printed on it. He got a copyright infringement notice and asks why he can’t get away with it. All the lawyers who answered said he can’t sell shirts with NAME on it because Dr. Sues Enterprises has a federal trademark registration on NAME.
Anyway, that’s the most interesting part about the movie House of Frankenstein.
Go Retire Psychiatrist 