Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
Let me get this off my chest first. Sena and I watched the Svengoolie show the 1981 movie, “An American Werewolf in London” directed by John Landis last night and neither of us remember hearing Sam Cooke’s version of the song “Blue Moon” during the transformation scene when David Naughton (David Kessler) turns into a werewolf. We found other videos in which Cook’s smooth delivery of “Blue Moon” is clearly playing while David is morphing into a monster.
But neither one of us remembers hearing it on the Svengoolie show last night. Anyway, IMDB has a short paragraph which says director John Landis wanted the Sam Cooke version of “Blue Moon” playing during the transformation scene because he wanted to contrast the sadness of the song with the horror of the transformation. The composer, Elmer Bernstein, made an alternate music for the scene which never got used because Landis vetoed it.
That said, this is not going to be my usual tongue-in-cheek fake review with a lot of fibs and dad jokes. I should also mention that Sena watched the movie in a different room from mine because she doesn’t like the number of commercials on the Svengoolie show and switches channels a lot.
The movie is supposed to be a mix of comedy and horror and I liked that. Sena was a bit ambivalent about it but overall thought parts of it were pretty funny.
The movie opens with David Naughton (David Kessler) and Griffin Dunne (Jack Goodman) ignoring the advice of patrons at a tavern with the cheerful name The Slaughtered Lamb to stick to the road and avoid the moor. A werewolf attacks them, kills Jack but David is hospitalized with wounds. Jack appears to David periodically (each time more decayed) to tell him he needs to commit suicide in order to stop the werewolf bloodline so that Jack can die because he’s now undead.
Alex Price (Jenny Agutter) is David’s nurse in the hospital. She gets a crush on him and takes him home with her when he’s ready to leave. David’s doctor eventually gets the idea that he might be delusional about being a werewolf. David tries to convince Alex that he’s a werewolf by explaining the 1941 movie “The Wolfman.” The key is that he can be saved from his fate only by someone who loves him. Alex doesn’t get it—at first.
David’s transformation scene was pretty intense, which may be why neither of us actually heard Sam Cooke’s smooth delivery of the song “Blue Moon.” That might speak against Landis’s idea that a sad song might moderate the horror of David’s terrifying metamorphosis into a huge, demonic wolf. However, I did find out that the film’s composer, Elmer Bernstein, wanted to use a scary music. Landis wanted to use Cooke’s rendition of “Blue Moon” and prevailed. However, there’s a clip with Bernstein’s music, which is pretty intense. I didn’t much care for it, although Sena thought it fit better with the transformation.
There were actually three versions of the song “Blue Moon” in the movie: one by Bobby Vinton, one by Sam Cooke, and the third by The Marcels. Neither of us heard “Blue Moon” by Sam Cook. We couldn’t find evidence on the web that the Svengoolie version edited out the song. On the other hand, neither did we hear the sexually suggestive noises in the porno theater when David’s slaughtered victims give him helpful advice about how to commit suicide so that they can get out of limbo. Again, that’s because they’re undead and David has to kill himself in order for them to move on. Even his friend Jack, who was killed by the werewolf who attacked him and David early in the movie, supports this effort—although he scoffs at the idea of a silver bullet being the weapon of choice.
The link between the 1941 movie “The Wolfman” and “An American Werewolf in London” becomes clearer late in the film. Readers can figure it out.
There’s an Easter egg in this movie and it’s the Piccadilly Circus adult film theater marquee, “See You Next Wednesday.” This is a recurring gag in many films by John Landis. It’s a line from the movie “2001: A Space Odyssey.”
“See You Next Wednesday” is a line from the 1968 film “2001: A Space Odyssey.” It is the last line spoken by Frank Poole’s father during Poole’s video message from his parents.
Sena and I both think the movie is pretty good and give it a Shrilling Chicken rating of 4.5/5.










