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Cannabinoid Hyperemesis Syndrome in the News Lately

I’ve seen a few articles about Cannabinoid Hyperemesis Syndrome (CHS) and because my funny bone is sensitive to provocative titles, I first read the one with the title that starts off with “I still partly think this is bullshit…” My reference list resulting from a quick search is below.

Of course, I don’t think CHS is “bullshit” (quote from an emergency room patient in the Collins et al paper). I agree it’s hard to diagnose and the news media tends to sensationalize it by promoting popular terminology like “scromiting,” which my spell checker doesn’t recognize. This is a vogue portmanteau word combining screaming and vomiting. It makes me wonder why someone didn’t try harder to come up with a portmanteau that might be more descriptive of the complex triad of vomiting, belly aches, hot baths, and screaming. Why not barfinbawlinbellyachinbathingbadness?

But it’s not funny and attempts to attach funny words like scromiting to the condition by the press (or whoever) is misguided.

I found one systematic review and treatment algorithm (Hsu et al) written to guide consultation-liaison psychiatrists who are likely to get called when CHS patients are admitted to emergency departments. However, I think the place to start would be the StatPearls review by Cue et al. One thing I found out from that paper is that the interesting ACCENT study ((Achieving Cannabis Cessation: Evaluating N-Acetylcysteine Treatment) the authors cite does not yet have results available, although it was started way back in 2014.

Just a couple of comments about the treatment algorithm by Hsu et al: haloperidol can cause dystonic reactions and akathisia as well as cardiac conduction problems like QTc prolongation and more. One episode of neck dystonia or akathisia or both can lead to mistrust of physicians who administer the causative agents, especially if there were no explanations of side effects as well as potential benefits. Benzodiazepines, while they may work, may also lead to some patients with substance use disorders becoming attached to them. Less commonly, patients with somatoform, factitious, or eating disorders will complicate the diagnostic picture.

Reference List:

Alexandra B. Collins, Francesca L. Beaudoin, Jane Metrik, Rachel S. Wightman,

“I still partly think this is bullshit”: A qualitative analysis of cannabinoid hyperemesis syndrome perceptions among people with chronic cannabis use and cyclic vomiting,

Drug and Alcohol Dependence,

Volume 246,

2023,

109853,

ISSN 0376-8716,

(https://www.sciencedirect.com/science/article/pii/S0376871623000911)

Abstract: Background

Cannabis is the most widely used psychoactive substance in the United States (US), with reported use patterns increasing among adults in recent years. Cannabinoid hyperemesis syndrome (CHS) has been one concern related to increased cannabis use patterns. US emergency departments have reported an increase of CHS cases over the last decade, yet little is known about CHS. This study explores the experiences of people with chronic cannabis use and cyclic vomiting and their perceptions of CHS.

Methods

Semi-structured interviews were conducted with 24 people recruited from a prospective cohort of patients presenting to Rhode Island emergency departments with symptomatic cyclic vomiting and chronic cannabis use. Data were analyzed thematically using NVivo.

Findings

Participants characterized their cyclic vomiting as related to food and alcohol consumption patterns, stress, and existing gastrointestinal issues. Despite recurrent episodes of cyclic vomiting, nausea, and abdominal pain, many participants remained uncertain whether their symptoms were driven by cannabis. Many participants relied on at-home research to assess their symptoms and seek out management approaches. Clinical treatment recommendations focused on cannabis cessation. However, most participants felt clinical recommendations failed to consider the complexity and challenge of stopping cannabis use given the chronicity of use and therapeutic benefits some perceived cannabis to have.

Conclusions

Although cannabis cessation is the only reported CHS cure to date, additional clinical and non-clinical treatment approaches are needed to better support people with chronic cannabis use and cyclic vomiting to meet their ongoing needs.

Keywords: Cannabinoid hyperemesis syndrome; Cyclic vomiting; Cannabis use; Qualitative

Cue L, Chu F, Cascella M. Cannabinoid Hyperemesis Syndrome. [Updated 2023 Jul 3]. In: StatPearls [Internet]. Treasure Island (FL): StatPearls Publishing; 2025 Jan-. Available from: https://www.ncbi.nlm.nih.gov/books/NBK549915/

Jennifer Hsu, Saurabh Kashyap, Cheryl Hurd, Lauren McCormack, Zachary Herrmann, Ann C. Schwartz, Joshua Jackson, Dustin DeMoss,

Treatment of cannabinoid hyperemesis syndrome: A systematic review and treatment algorithm for consultation-liaison psychiatrists,

General Hospital Psychiatry,

Volume 97,

2025,

Pages 185-191,

ISSN 0163-8343,

(https://www.sciencedirect.com/science/article/pii/S0163834325002038)

Abstract: Background

Cannabinoid Hyperemesis Syndrome (CHS) is a cyclical vomiting syndrome associated with chronic cannabis use and is often resistant to anti-emetics. Despite increasing incidence of suspected CHS, literature regarding its treatment is limited, and there are no established treatment guidelines.

Objectives

With the goal of establishing treatment guidelines for consultation-liaison (C-L) psychiatrists managing CHS, the authors systematically reviewed existing literature for pharmacologic treatment strategies using Preferred Reporting Items for Systematic reviews and Meta-Analyses (PRISMA) guidelines. With the results of the review, the authors propose a treatment algorithm for CHS.

Methods

We searched PubMed, PyschINFO & PsychARTICLES, Embase, and Web of Science from inception to July 2021 to identify literature describing treatment of CHS. We included cases of CHS where patient-level data describing the treatment of CHS was available. Pharmacologic treatments were considered beneficial if the patient’s nausea, hyperemesis, and urge to take hot showers resolved. Non-independent review of exclusion criteria assisted in reducing individual bias of the literature.

Results

The authors identified 34 eligible articles, consisting of 63 individual cases. Among these articles and cases, capsaicin cream, antipsychotics, and benzodiazepines were reported to improve CHS more effectively than other, more frequently used anti-emetics, such as promethazine, ondansetron, and metoclopramide.

Conclusion

An examination of treatment strategies for CHS can allow for more effective care while providing a foundation for further research in treatment. This proposed algorithm is designed to aid in establishing treatment strategies for C-L psychiatrists who assist with managing CHS for patients in general medical settings. The goal of this research is to establish evidence-based treatment guidelines for C-L psychiatrists who are managing patients with CHS in general medical settings. Recognizing the limitations of this algorithm being based on case reports adds to the necessity of further research in this area.

Registration

PROSPERO (https://www.crd.york.ac.uk/PROSPERO/view/CRD42021254888) registration number CRD42021254888.

Keywords: Cannabinoid hyperemesis syndrome; Treatment strategies; Systematic review; Pharmacologic treatment

Loganathan, P.; Gajendran, M.; Goyal, H. A Comprehensive Review and Update on Cannabis Hyperemesis Syndrome. Pharmaceuticals 2024, 17, 1549. https://doi.org/10.3390/ph17111549

Svengoolie Movie: “Devil Doll”

Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”

Well, I watched the Svengoolie movie, “Devil Doll” last night and was that creepy! It’s a British 1964 film directed and produced by Lindsay Shonteff (although I don’t know him from Adam. What do you take me for, a legit movie reviewer?).

Anyway, I noticed right away that I recognized one of the stars, William Sylvester (Mark English) who played a reporter trying to figure out what gives with the Great Vorelli (Bryant Halliday) a really sleazy ventriloquist and hypnotist whose stage act includes stealing Mark’s girlfriend Marianne (Yvonne Romain) and humiliating his dummy Hugo in front of an audience full of well-to-do people who smoke unfiltered cigarettes like they were going out of style.

Anyway, William Sylvester starred as Dr. Heywood Floyd in the 1968 blockbuster film 2001: A Space Odyssey. Who can forget the scene of him puzzling over the long sheet of instructions for using the Zero Gravity Toilet! I don’t think there’s a free copy of it, so it’ll set you back at least twelve bucks.

But what a contrast between the elegantly cryptic Heywood Floyd and Mark English, who is a hard-nosed, cynical journalist trying to figure out whether there’s a little guy inside the Great Vorelli’s wooden dummy Hugo, mainly because Hugo can get up and walk, even sing and dance a few show tunes like Puttin on the Ritz better than Frankenstein’s monster in you-know-which movie! Mark even gets an opportunity to examine Hugo using a set of Stanley tools, x-rays, and X-Acto knives but doesn’t get any reaction from the dummy unless you count a little sawdust.

But the tough-minded Mark gets a surprise visit from Hugo who gives him a few tips on woodworking and a hint that there’s more to him than sawdust.

The Great Vorelli has a master plan and hypnotizes Marianne which leads to a pretty complicated plot twist which involves the hypnotist learning ancient techniques for messing around with peoples’ souls which Dr. Heller (Karel Stepanek) dismisses in favor of a clinical diagnosis of catalepsy (although he didn’t directly imply Marianne was cataleptic) when Mark tries to convince him that Marianne’s personality change and delirious appearance was brought about by Vorelli.

You can check the catalepsy comment on a 16mm film of the full movie at about 1:05:40.

This catalepsy reference fascinated me because I’m a retired psychiatrist and I’ve seen patients with the syndrome. I guess there were no expert consultants available to the director.

There is a fight scene between Hugo and the Great Vorelli, full of switchblade knives, a hybrid chess boxing match, and tag team with Chuck Norris although the roundhouse kick was ineffective.

You didn’t think there’d be spoilers, did you? There were a lot of ventriloquist dummy jokes during the Svengoolie show and my featured image is my stab at it. Anyway, the ending is surprising.

I think the movie is pretty creepy and dark enough that it might not be a good flick for children. I give it a 3/5 Shrilling chicken rating.

When it Comes to AI, What Are We Really Talking About?

I’ve been reading about artificial intelligence (AI) in general and its healthcare applications. I tried searching the web in general about it and got the message: “An AI Overview is not available for this search.”

I’m ambivalent about that message. There are a couple of web articles, one of which I read twice in its entirety, “Are we living in a golden age of stupidity?” The other, “AI, Health, and Health Care Today and Tomorrow: The JAMA Summit Report on Artificial Intelligence”was so long and diffuse I got impatient and tried to skip to the bottom line—but the article was a bottomless pit. The conflict-of-interest disclosures section was overwhelmingly massive. Was that part of the reason I felt like I had fallen down the rabbit hole?

I recently signed an addendum to my book contract for my consult psychiatry handbook (published in 2010, for heaven’s sake) which I hope will ultimately protect the work from AI plagiarism. I have no idea whether it can. I delayed signing it for months, probably because I didn’t want to have anything to do with AI at all. I couldn’t discuss the contract addendum with my co-editor Dr. Robert G. Robinson MD about the contract addendum because he died on December 25, 2024.

I found out today the book is old enough to find on the Internet Archive as of a couple of years ago. One notice about it says “Borrow Unavailable” and another notice says “Book available to patrons with print disabilities.”

All I know is that an “archivist” uploaded it. The introduction and first chapter “The consultation process” is available for free on line in pdf format. I didn’t know that until today either.

Way back in 2010 we didn’t use anything you could call AI when we wrote the chapters for the book. I didn’t even dictate my chapters because the only thing available to use would have been a voice dictation software called Dragon Naturally Speaking. It was notorious for transcribing my dictations for clinic notes and inserting so many errors in them that some clinicians added an addendum warning the reader that notes were transcribed using voice dictation software—implying the author was less than fully responsible for the contents. That was because the mistakes often appeared after we signed off on them as finished, which sent them to the patient’s medical record.

Sometimes I think that was the forerunner of the confabulations of modern-day AI, which are often called hallucinations.

Now AI is creating the clinic notes. It cuts down on the pajama time contributing to clinician burnout although it’s not always clear who’s ultimately responsible for quality control. Who’s in charge of regulatory oversight of AI? What are we talking about?

Svengoolie Show Movie: “Tarantula”

I watched the Svengoolie show movie “Tarantula” last night, although I fell asleep for what turns out to have been about 20 minutes or so during the second half hour of this 1955 film about radioactive nutrient producing a giant tarantula. I had to catch up on what I missed on the Internet Archive.

Don’t get me wrong, the movie didn’t put me to sleep; in fact, there were various segments that reminded me of various tangents I’m about to go off on.

Anyway, the film was directed by Jack Arnold and starred John Agar (Dr. Mass Hastings), Mara Corday (Stephanie ‘Steve’ Clayton), and Leo G. Carroll (Prof Gerald Deemer, who I guess was in a lot of Hitchcock films including North by Northwest, which Sena has seen). Raymond Bailey (Townsend, Arizona dept of agriculture scientist) had an interesting line I’ll mention later. Bailey also played the banker Milburn Drysdale in the Beverly Hillbillies TV show in the early ‘60s-early ‘70s.

The short summary of this film is that it’s one of several related to the fear of radioactivity-linked science gone bad leading to the creation of really big bugs running amok in tiny towns in the desert southwest. The main angle here is Prof Deemer’s scientific work on preventing world starvation from overpopulation by creating a nutrient that would, if mixed with the evil radioactive isotope, cause hungry tarantulas to grow to enormous size, in turn leading to cattle mutilations that would prevent long wait times for motorists waiting for cows to cross Route 66, consequently unblocking the path to McDonald’s restaurants, although the food chain interruption from the beef shortage caused by tarantula predation would eventually result in the loss of big macs leading to cannibalism, thereby cancelling world hunger by population reduction.

Scientists never think this one through.

But there are other things to talk about with respect to this movie. One of them is the word “acromegalia.” I know about acromegaly, but the term “acromegalia” was a new one to me, although it turns out to be an old term. Acromegaly is the usual name for the medical condition. Why the writers chose this word is a mystery. Both mean a rare pituitary gland problem which produces too much growth hormone leading to gigantism in which the hands, feet, and face grow bigger.

Another fascinating thing about the film is that I think I can hear Dr. Deemer call the radioisotope a specific name, something that sounds sort of like “ammoniac.” In the internet archive version, see if you can hear it at about 27:47.

Sena can hear it too. But I can’t find any reviewers who mention it and even AI denies that the radioisotope is given a name in the movie. Also, if it was made just for the movie, it doesn’t make sense because most isotopes’ names end in “-ium,” so no made-up word for it should sound like “ammoniac” which makes you think of ammonia, something somebody would wave under your nose to smell if you fainted from the sight of the giant tarantula.

Another interesting thing is the dialogue between Dr. Hastings and an Arizona Agricultural Institute scientist, Dr. Townsend (played by Raymond Bailey). The gist of the interaction is that Dr. Hastings brought a specimen of giant tarantula venom for Dr. Townsend to analyze, but when he says he found giant pools of it, Townsend is incredulous and accuses Hastings of either having a nightmare or being the biggest liar since Baron Munchausen. On the internet archive this exchange happens at about 59:07.

This is priceless. I know about Baron Munchausen because, as a consulting psychiatrist for many years I saw patients who had the syndrome which used to be called Munchausen’s Syndrome (now called Factitious Disorder) which is essentially a mental disorder in which patients claim to have diseases which they don’t actually have but fake them and lie to doctors about it. I gave lectures about the syndrome. There’s a fascinating literature about it and, the odd thing is that the real Baron von Munchhausen was a famous adventurer and raconteur—but he was not a liar.

What many people don’t know is that it was actually a fellow named Rudolf Erich Raspe, a German scientist and scholar who wrote a book about the baron which was mostly made up. Raspe was the liar, not Baron Munchhausen.

A person with Factitious Disorder was hospitalized at University of Iowa Health Care back in the 1950s and a long case report about it was published in the Journal of the American Medical Association (JAMA). Further, a physician named William Bennett Bean, MD in the Department of Medicine at the University of Iowa wrote a very long poem about this which you can access. There was also a fascinating case report published in 1980 in the New England Journal of Medicine (NEJM) by medicine residents claiming they had seen a patient who lied about having Factitious Disorder (Factitious Munchausen’s Syndrome). The residents later admitted that they made up the story. I summarized most of this in a blog post a few years ago.

Finally, there is a line by Dr. Hastings at about 1:04:45 which reminded me of a Verizon commercial years ago: “Can you hear me now?”

I think that’s more than enough about this movie, which I would give a rating of 4/5 mainly because it evoked so much from the deep recesses of my memory.

Addendum: I couldn’t shake an urge to comment on a gesture of earlobe tugging that Dr. Matt Hastings engaged in while asking Prof Deemer about how quickly Jacobs developed his physical malformations. You can find this on the Internet Archive at time 28:36. Deemer dismisses it as acromegalia and nothing more but finally suggests Hastings could see that an autopsy be performed on Jacobs. I suspect Hasting’s earlobe tug might be dismissed as simple overacting, but there could be other interpretations.

Svengoolie Show Movie: “The Bad Seed”

I watched the Svengoolie show movie, “The Baddest Seed on the Planet” yesterday on the Internet Archive because I wanted to see the Iowa Hawkeye vs UMass football game last night. Hey, the Iowa Hawkeyes and the Iowa State Cyclones both won yesterday!

Actually, I thought “The Bad Seed” was a pretty good movie, just to let the shrilling chicken out of the bag. It’s a good break from the rubber mask, stop motion animation, shlocky howlers. It does run long, a little over 2 hours and at times there’s a little too much lofty psychoanalytic dialogue. At times it seemed like a play.

It’s a 1956 Warner Bros. Pictures production. There was a Perry Mason regular on it; William Hopper played Col. Kenneth Penmark (father of Rhoda). Henry Jones played Leroy, the really creepy sociopath handyman who had a lot in common with Rhoda (played by Patty McCormack), the psychopathic 8-year-old daughter of Kenneth and Christine Penmark (played by Nancy Penmark). Eileen Heckart played the heck out of her role as the tipsy Hortense Daigle, mother of her unfortunate murdered child Claude—who is never seen.

The main underlying theme is the question of whether psychopaths are born bad or victims of bad environments.

How this gets treated in the film is fascinating. When Rhoda saws through a fawn with a dull straight razor while singing Elvis Presley’s “Don’t Be Cruel,” it really doesn’t leave much to the imagination.

Things start to go bad early when Claude wins a penmanship award instead of Rhoda who is thinking, “OK bud, over your dead body!” I’ve got to tell you; I got chills just looking at her after a while.

The handyman Leroy pegs Rhoda for a bad seed right away, mainly based on the idea that bad seeds think alike. He keeps telling her he’s got her number until he has a close encounter of the excelsior kind, and “excelsior” means ever upward only in the sense that burning wood shavings used for packing fragile items tend to be carried by the wind.

Just to gloss over the scientific psychiatric literature on psychopathy, the most recent paper I could find on the web suggests that structural and functional brain abnormalities of psychopathic persons contribute substantially to the observed behavioral patterns of callousness and poor adaptability to prosocial motivations beginning early in life and which tend to be resistant to change as one gets older. The younger the person, the more plastic the antisocial traits may be to change via behavioral modification, hopefully leading to greater empathy. (Anderson NE, Kiehl KA. Psychopathy: developmental perspectives and their implications for treatment. Restor Neurol Neurosci. 2014;32(1):103-17. doi: 10.3233/RNN-139001. PMID: 23542910; PMCID: PMC4321752.)

By far, Hortense Daigle has the most awkwardly comical role as she combines grief, inebriation and eerie suspicion of Rhoda in her own son’s death. Every time she shows up to the Penmark house, she’s roaring, dramatically staggering drunk. She helps herself to the booze in the house, even making it clear which bourbon she prefers (Never mind my grief! I said I wanted that martini in a dirty glass!).

Other than the movie being a bit too long, I thought it was very good. I could have done without the theater like credits with all the actors coming out to take a bow (or curtsy in Rhoda’s case), a slapstick bit between Christine and Rhoda, and the warning to the audience not to reveal the ending to anyone.

Connecting the Dots between Kintsugi and the Blues

Since I wrote the blog about the Big Mo Pod Show, Hickory Smoked Blues, I’ve been trying to remember how I connected the dots between Kintsugi and blues music, which is said to be healing even though often it sounds like it could make you hurt.

I had a devil of a time tracking this down. The image of Kintsugi or Kintsukuroi, which is the Japanese art of repairing broken pottery by mending the broken parts a mixture which contains powered gold.

The main idea is that repairing something broken using something like gold (read blues music here) can be healing.

You could also apply this to some other process, including psychotherapy.

The writing of a couple of people helped me make the connection. One of them is now a child psychiatrist named Jenna, who used to write the blog The Good Enough Psychiatrist, a link for which is still on my blog menu. Her post entitled “Amae” (a Japanese concept meaning cherished) caught my attention. Amae has both positive and negative aspects. In a way blues music is similar. It can be nourishing as long as it isn’t too focused on trauma.

About a month later, I found an essay by another child psychiatrist, Dr. Ashmita Banerjee, MD, entitled “The Power of Reflection and Self-Awareness,” actually mentions kintsukuroi at the end of the essay following her poem, called “Not A Poem.”

So, I think what I was getting at was pain and suffering can be reduced in healing ways, which can include art forms, like music. Some blues music can be repetitious, negative and even demoralizing when the emphasis is only on the pain. The other side of the blues can be uplifting, especially when there is the element of cherishing the tender, the wise, and the healing notes—the golden glue.

Both essays were the inspiration for my post, “Food for Thought.” The image of the kintsugi bowl is on both that post and “Big Mo Pod Show: Hickory Smoked Blues.” I still think the Robert Cray Band version of “I’ll Always Remember You” is a reminder of Kintsugi, at least for me.

Rounding@Iowa Podcast: “When to Suspect Atypical Recreational Substances”

There’s a new podcast in town from The University of Iowa Health Care and the title is “When to Suspect Atypical Recreational Substances.”

86: Cancer Rates in Iowa – Rounding@IOWA

Iowa's cancer rates are among the highest in the country, and they are rising. In this episode of Rounding@Iowa, Dr. Gerry Clancy and guest experts Dr. Mary Charlton and Dr. Mark Burkard discuss the data, risk factors, and prevention strategies clinicians can use to make a difference. CME Credit Available: https://uiowa.cloud-cme.com/course/courseoverview?P=0&EID=81274 Host: Gerard Clancy, MD Senior Associate Dean for External Affairs Professor of Psychiatry and Emergency Medicine University of Iowa Carver College of Medicine Guests: Mark E. Burkard, MD, PhD Professor of Internal Medicine-Hematology, Oncology, and Blood and Marrow Transplantation University of Iowa Carver College of Medicine Director, University of Iowa Health Care Holden Comprehensive Cancer Center Mary Charlton, PhD Professor of Epidemiology Director, Iowa Cancer Registry Iowa College of Public Health Financial Disclosures: Dr. Clancy, Dr. Burkard, Dr. Charlton, and Rounding@IOWA planning committee members have disclosed no relevant financial relationships. Nurse: The University of Iowa Roy J. and Lucille A. Carver College of Medicine designates this activity for a maximum of 0.75 ANCC contact hour. Pharmacist and Pharmacy Tech: The University of Iowa Roy J. and Lucille A. Carver College of Medicine designates this knowledge-based activity for a maximum of 0.75 ACPE contact hours. Credit will be uploaded to the NABP CPE Monitor within 60 days after the activity completion. Pharmacists must provide their NABP ID and DOB (MMDD) to receive credit. UAN: JA0000310-0000-25-090-H99 Physician: The University of Iowa Roy J. and Lucille A. Carver College of Medicine designates this enduring material for a maximum of 0.75 AMA PRA Category 1 CreditTM. Physicians should claim only the credit commensurate with the extent of their participation in the activity. Other Health Care Providers: A certificate of completion will be available after successful completion of the course. (It is the responsibility of licensees to determine if this continuing education activity meets the requirements of their professional licensure board.) References/Resources: Iowa Cancer Plan

This is a fascinating topic and the discussion ran for close to an hour, which is longer than usual because there’s a lot to say about it. The substances include a lot of chemicals that are not illegal and, in some cases, easily available in convenience stores and gas stations. In fact, the name for one of them is gas station heroin, which is tianeptine, approved in other countries as an antidepressant.

The discussion also included substantial information (or maybe better said, lack of enough information) about bath salts (usually cathinones), kratom, and something I’ve never even heard of: diamond shruumz (chocolate bars which can contain various substances not limited to psilocin). Remember that guy who chewed the face off of somebody in Miami in 2012? That was attributed to intoxication with bath salts.

This is way beyond the 1970s stuff like window pane or blotter (LSD) and pot. Many people end up in emergency rooms for evaluation of what looks like poisoning from multiple drugs. The stickler is the possibility that they got poisoned from something bought at a convenience store. Often it’s difficult to tell what the person ingested.

One of the takeaways from this podcast is that, whenever possible, try to get a history from the patient. They might just tell you what you need to know.

Community Psychiatry Podcast: Shelter House Iowa City, Iowa

I just discovered this Community Psychiatry Podcast site today. A couple of days ago Dr. Emily Morse, DO, of The University of Iowa Health Care gave a 20-minute interview that outlines how the psychiatry department leverages community psychiatry outreach to address the challenges those experiencing homelessness face.

Introduction: “Emily Morse, DO, is a Clinical Associate Professor of Psychiatry at the University of Iowa where she was first drawn to community-based care during her residency training. Her current clinical work spans a variety of settings which include outreach clinics embedded within local permanent supportive housing programs in partnership with Shelter House in Iowa City—an organization that provides comprehensive support services to help individuals move beyond homelessness. She also works as part of interdisciplinary teams that reach patients across Iowa, including one focused on individuals with intellectual and developmental disabilities, and another providing reproductive and perinatal mental health care. Along with her clinical work, she is active in medical education as a psychiatry clerkship co-director, and she enjoys working alongside residents and fellows while aiming to provide accessible, collaborative, and relationship-centered care.”

Dr. Morse provides a view of psychiatry that goes beyond the idea of scheduled appointments in the psychiatry clinic.

This is also a great way to get beyond the politicization of this issue we typically hear about in the national and local news almost every day.

Svengoolie Show Upcoming Movie: “The Curse of Frankenstein”!

Svengoolie Show Intro: “Calling all stations, clear the air lanes, clear all air lanes for the big broadcast!”

The Svengoolie show movie coming up this Saturday is Hammer’s 1957 production of “The Curse of Frankenstein”! Guess what? This time, Christopher Lee plays Frankenstein’s monster and—he has no lines at all. The movie is loosely based on Mary Wollstonecraft Shelley’s classic novel, “Frankenstein; or The Modern Prometheus.”

There’s lots of blood and gore, so wear goggles because the film was shot in SpatterVision. Don’t look for screws on the monster’s neck. I guess they were loose and fell off.

Big Mo Pod Show: The Yellow Butane Curse and Other Fun Things

I got off my schedule last week on listening to the Big Mo blues show, but as it turns out, he was gone last Friday. I heard last night’s blues show and heard Stevie Ray Vaughn’s Riviera Paradise.

So, of course that was not on the list of songs for the pod show today, but Big Mo did mention that Riviera Paradise and the name of the collection, which was In Step was related to Stevie Ray Vaughn’s having been successful at staying sober from substance use disorder for a year. The name In Step was evidently related to his going through a 12-step program to achieve sobriety. I learned about Stevie Ray Vaughn early in my residency (if I recall correctly) from a University of Iowa psychiatrist who is now the chair of the psychiatry department.

Big Mo Pod Show 072 – “The Yellow Butane Curse”

The name of today’s pod show was “The Yellow Butane Curse” which is about superstition. I’m not sure if this means that blues music enthusiasts are prone to being superstitious, but Big Mo did admit to believing that yellow butane lighters were unlucky for him.

This is probably going to seem like a disconnected transition but I missed last week’s pod show (“He plays what can’t be written down” see below), which was not the usual format of song talk but an interview with a successful local musician, Merrill Miller. I don’t know anything about him except what I learned in the podcast. I got a kick out of listening to a couple of musicians just more or less shooting the breeze about living the musician’s life.

Merrill mentioned playing in places like Strawberry Point, Iowa. I don’t have a musical connection to Strawberry Point, and I never went anywhere there that was connected with music like Merrill did. In fact, the only reason I was in Strawberry Point was because I was part of a survey crew staking Highway 13 between there and Elkader to straighten out some of the many curves in the road. We didn’t have much time to listen to music.

One piece of Iowa history they talked about was the issue of black musicians not being able to find a place to stay in this area because of racism. They had to find somebody they knew who would put them up while they were in town for a gig. Funny where a rambling, relaxed conversation will sometimes lead you.

I had few connections to music while I was growing up. My mother tried to teach my little brother and I how to play piano. It was an old out of tune piano. I managed to learn where the “middle C note” was—and that’s about all I recall about it. I took guitar lessons and got pretty good at making buzzing notes with it. Man, I could make that guitar buzz, although my teacher got a good laugh out of it—and couldn’t get me to break the habit. I could blow into a harmonica (what real musicians like Merrill and Big Mo call a harp), but I couldn’t kidnap any notes out of it. I tried picking notes on a banjo for a short while, had a second stab at the guitar, and got not much more than callouses on my fingers before moving on to non-music making careers.

You can be glad about that. Now about that suggestion that I have for a tee shirt design about my favorite faux sponsor created by Big Mo, Mayree of the legendary Mayree’s hand battered catfish; it’s better because it’s battered. I wonder if there’s any movement on that.