I watched the 1962 movie “King Kong vs Godzilla” on the Svengoolie show last night and woke up this morning thinking it had to be a parody. So, I looked it up on the web and sure enough, there’s a Wikipedia article about the film stating director Ishiro Honda said it was a satire of the television industry in Japan.
This movie was pretty ridiculous and there was so much over the top slapstick comedy in it that I couldn’t believe anyone would see it as anything but satire. But the internet has many articles that don’t call it satirical.
I remember Sena watched some of it and asked me last night how I was going to rate it. I said “Zero!” at the time, before I found out it was satire. That was after I’d seen the two characters, Kinsaburo Furue (Yu Fujiki) and Keji Sahaka (Kazuo Fujita) encounter with the island natives who accepted gifts of cigarettes and a transistor radio as a bribe to gain their cooperation.
So, it seems superfluous for me to poke fun of it like I usually do with most of the films on the Svengoolie show. Even he joked about the poor dubbing in this movie.
I’m seeing this as satire and I’d give it a 2.5/5 Shrilling Chicken rating.
I see the 1962 kaiju movie “King Kong vs Godzilla” is coming to Svengoolie this Saturday. I’m still trying to figure out if I’ve seen this one already. Maybe that’s because it looks similar to other kaiju films I’ve seen on the Svengoolie show, like “Godzilla vs Bozo the Clown,” another classic which I’m sure you’ve seen.
This may be the one where King Kong challenges Godzilla to a food fight at Wendy’s because Godzilla gulped down all the chocolate Frosty malts. It’s a pretty simple battle since all they do is throw the whole restaurant back and forth at each other which causes all the people trying to order burgers and fries to fall out of the building leading to both monsters skidding and slipping on the ketchup and cracking the streets open, which of course causes the storm and sanitary sewers to burst causing a messier flood of crap which doesn’t do anything to improve the taste of French fries. This just makes King Kong even madder because he can’t make his step over toe hold work because he slips in the slop. I think this is when Chuck Norris shows up because all the ruckus makes too much noise, distracting him from his sitar practice. Neither King Kong nor Godzilla dare look at Chuck the wrong way because the dinosaurs did that and you know what happened to them. Then, wouldn’t you know it, the Tall Man shows up, the same 10-foot-tall monster that allegedly haunted a small town and did some window peeking which scared all the townsfolk, an event which is described in the TV documentary, Paranormal Emergency. All three start doing their roundhouse kicks at each other, which Chuck Norris immediately stops by doing the same roundhouse kick in the time when in the beginning there was nothing and he kicked nothing and told it to get a job and…well, that’s probably not how this movie goes per se but you get my drift.
Sven Squad Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
So last night we both watched the Sven Squad movie “Flight 7500.” It’s the Sven Squad leading the way because they’re going to give Svengoolie a well-deserved break once a month. However, he did show up a couple of times. We thought the Sven Squad song “Cabin Pressure” was pretty awesome.
Flight 7500 was released in 2014 and the short story is that a lot of people on a big airplane start disappearing after a guy named Lance Morrel (Rick Kelly) nearly bites his hand off trying to remove some salted peanuts from his throat. Lance appears from time to time and even tries to costar in the seat back video presentation of the Twilight Zone TV in-flight movie, “Nightmare at 20,000 Feet.”
After Lance dies despite getting expert chest compressions from the CPR Bran Martin (Ryan Kwanten) gives him gets moved to the upper-level cabin where Lance and William Shatner have a stimulating conversation about how well gremlins and Shinigami dolls get along.
One guy, Jake (Alex Frost) who likes to steal watches and cell phones swipes Lance’s wristwatch and becomes the first to disappear. OK, there are way too many passengers to keep track of in this film, so don’t blame me if I mix them up or even leave them out.
There are so many passengers struggling with their soap opera lives on this plane that they step on each other’s toes (just like on a real flight!) as they are competing over which one disappears next while they vie viciously for who wins The Snarkiest Award.
There’s this Goth lady Jacinta (Scout Taylor-Compton) in mom jeans who may turn out to be the most well-adjusted of the group as she and the Shinigami doll have a great time playing 7-card cribbage just before Raquel Mendoza (Christian Serratos) finds out she’s not pregnant and throws a tantrum when the tall flight attendant Liz Lewis (Nicky Whelan) fails to bring her any salted peanuts.
The rest of the passengers take turns trying to breathe with the oxygen masks which don’t work and Lance turns into a huge hand, lunging for everyone in sight if they don’t immediately obey orders and accept death when they’re supposed to.
I can’t say much more about this movie without spilling the Boston baked bean snacks, so I’ll just have to say I would give it a 4.5/5 shrilling chicken rating, mainly because Sena would give it a 5/5.
Last night, I watched what I thought was a brand-new episode of Josh Gates’ series, Expedition X. It was titled “Beast of the Everglades” and it was about the skunk ape in the Florida everglades. Turns out the show originally aired in 2024, so I’m a little behind. You might want to watch it first before reading this post, because I’m going spill the lima beans about it.
Expedition X is all about chasing cryptids and in this episode the quarry is the skunk ape in the Florida. The skunk ape is a Bigfoot which desperately needs deodorant because it stinks to high heaven. Right from the beginning of the show, I thought of Dave Barry’s book, Best State Ever. A Florida Man Defends His Homeland. It was published in 2016. I used to have nearly every nonfiction book he published up until several years ago.
The aptly named relevant chapter in Barry’s book is “The Skunk Ape.” The book and the TV show intersect in the guy who sort of invented the story of the skunk ape, Dave Shealy, because his video of the cryptid is shown on the show and is widely available on the internet. He has a bit part in the show. He and the co-star Heather Amaro talk about the skunk ape briefly and he does have a piercing gaze, just as Barry describes in his book. Barry’s photo of Shealy in the book shows him wearing a pair of high boots—and he wore the same boots on the show. He didn’t talk about using lima beans as bait to attract the skunk ape on the show but he told Dave Barry about having used the vegetable.
That reminds me of the highly evolved and fancy technology that the stars, Phil Torres and Heather Amaro used in the show. Phil used a really cool, high-tech slingshot to shoot scent balls infused with the stink of 3 different animals (skunk, wild boar, and bear) into the brush to attract the skunk ape. It’s a lot more impressive than tossing out lima beans.
They also used a very expensive looking drone with a camera and caught video of something which looked to them like it was hustling across the marshes on two legs. I thought it looked like it was on four legs, but what do I know about drone video footage?
On the show, Phil and Heather found a few stinky nests which they suspected or at least wondered whether the skunk ape built and sat in. One or two of them I think were in tree tops although the trees were not that tall. I wondered about the relatively small size of the nests, given that the large size of the skunk ape—about 7 feet tall and over 400 lbs. (so, about the size of a typical NFL lineman), if I remember correctly (if that matters). It looked like the nest was about the size of a baby’s car seat.
There were small skeletons in it and one of them Phil identified as a baby alligator gar. That’s a prehistoric-looking animal resembling an alligator. They can grow to massive size. The little one was probably a snack which the skunk ape munched on while watching reruns of My Favorite Martian on the little portable TV, which was on the fritz at the time Phil checked. There were no lima beans in the nest, which means the creature cleaned its plate, which was neatly stacked with others in the tiny dishwasher.
Primates will eat stuff like that, according to a local animal expert on the show. But he politely speculated that the animal bounding across the everglades in Shealy’s video moved more like a person than an ape.
Phil got a few hairs from the grass out in the swamp, which was tested for DNA. It came back human. But since humans and apes share more than 98% of their DNA, that means the skunk ape legend remains intact.
The upcoming Svengoolie movie this coming Saturday is “Flight 7500.” It reminds me of one of our vacation trips when Sena asked for an extra bag of peanuts from the attendant, who promised she would return with another bag—and never did. Sena’s never forgotten that.
I think that’s kind of how things go on airplanes. I’m not big on airline food and not keen on flying at all. I remember sitting next to an elderly guy (Har! Look who’s talking!) who was probably more nervous about flying than I was (as if that were possible).
As we were taking off, he pressed a little button on his hand or his wrist (can’t remember exactly) that was attached to a wristband. I remember thinking it might have had something to do with acupressure points. I looked this up today and it turns out that there’s a point called Union Valley and it’s in the webbing between your thumb and index finger. Or maybe it was the Inner Frontier Gate point, which is about 3 finger widths below your wrist. I know it wasn’t the Shoulder Well point because that can induce labor. I’m pretty sure he wasn’t pregnant.
Anyway, this movie looks like it could make you nervous. It was released in 2014, which is pretty unusual for Svengoolie. On the other hand, it’ll be the Sven Squad that’ll be in charge of it because Svengoolie is taking the night off. I gather he’ll be doing that once a month now. The Sven Squad members are Nostalgiaferatoo, Imp (Ignatius Malvolio Prankenstein who calls Svengoolie his uncle), and Gwengoolie. They usually do the 2nd film of a double feature—which I can’t stay awake for.
I think Nostalgiaferatoo and Imp will play rock, paper, scissors more than 30,000 times to see who does most of the talking about the movie.
Anyway, the gist of the plot is that passengers start to feel a little queasy after their in-flight meal of beef jerky and turnip pastries and start hallucinating little monsters out on the wings which they keep telling the pilot about who is a little too busy to pay much attention because he’s distracted by the half-dozen or so UFOs zipping around just outside the front window which dodge the windshield wipers so fast it reminds him of the Men in Black movie in which Nick can’t clean off the bug parts of the big dragonfly that hits his window, so he has to take a break and orders his copilot to run back into the cabin and slap some of the passengers who are playing around with a Ouija Board and dousing rods, conjuring up demons who are demanding macaroni and cheese with Pepto-Bismol sauce, cheating at dominoes, and wondering when William Shatner is going to sign up for a sequel to the Twilight Zone smash hit, “And Don’t Call Me Shirley,” featuring a dozen or so nuns who are slapping the hysterical passengers who are unable to open the restroom door because Bigfoot is having THE USUAL PROBLEM of constipation from too much beef jerky…OK, I guess that’s not exactly how the movie goes, but I’m close!
Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
I watched the Svengoolie movie, “The Skull” last night and it was fairly interesting in that the heirs of the Marquis de Sade, (whose skull the movie was about) actually forbade his name and title be mentioned in the 1965 advertisements in the French territories because he was never involved in devil worship. However, he was not innocent of other badness and spent much of his life in and out of prisons and insane asylums.
Despite that, various people want his skull, the first of which was Pierre, a phrenologist (Maurice Good), who ended up getting killed shortly after he stole the head of the corpse of the Marquis de Sade, boiled off the skin, and after finding a few bumps and dips indicative of the guy’s craving for kale and turnips, ended up dying in the boiling peanut oil used to clean off the skull.
I guess the Skull (played by a skull) had supernatural powers connected to four statues of demons whose names are Moe, Larry, Shemp, and Curly Joe, which are bought at auction for a heck of a lot of money by Sir Matthew Phillips (Christoper Lee) who outbid Christopher Maitland (Peter Cushing), and the latter tried to win them from him in a long game of what looked like snooker. Neither could play worth a tinker’s damn yet one of the statues (Shemp) ends up in the hands of Maitland anyway because the skull can evidently move things around if you play spooky music while pointing a camera at it.
But an unsavory guy with a sinus problem (probably from snorting Copenhagen) named Anthony Marco (Patrick Wymark) winds up with the Skull and tries to sell it to Maitland for a 1000 pounds, an asking price which he quickly reduces to 500 pounds when Maitland refuses to lay out that much cash for a skull when he could order a full skeleton from Walmart for a fraction of the price. It turns out that Marco got the Skull because Sir Matthew Phillips allowed it to be stolen from him because it seemed to stare at him no matter where he stood in his parlor, putting him off his aim whenever he tried to play snooker.
Things get progressively creepier as the Skull is capable of hypnotizing everybody, especially Maitland, who hallucinates an endless game of rock, paper, scissors with a couple of fiends and a judge who tries to settle the situation by flipping a coin transforms it into a Star Trek phaser used in a Russian Roulette thing until Spock puts the Vulcan nerve pinch on the judge.
The showdown with the Skull comes to a head (see what I did there?) when it plays the song “Bone to be Wild” on its favorite musical instrument, the xy-lo-bone, with its chin.
So, this movie’s pretty dark but they do a fair job with the only prop, which is a skull. It could have been funnier. I give it a shrilling chicken rating of 2/5.
Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
So, you can give me credit for watching the Svengoolie movie “Blood from the Mummy’s Tomb” last night instead of the Seattle Seahawks vs San Francisco 49ers football game. Sena watched a little of it and probably not enough to rate it. You need to know there is such a thing as scalp psoriasis to get the joke in the featured image.
Before I get into this Hammer horror flick, I need to have a little fun at Svengoolie’s expense about his Too Drawn Out picture. You have to know that this is a puzzle game. Svengoolie draws a few cartoons, gives some hints about what the pictures suggest, and puts them together to make a word that is connected to the movie. Some fans give him a hard time about them because, frankly, the clues occasionally reach a little too far.
His first picture in this bit would be familiar to people mainly in my generation or older. Although it’s a bit unfair to kids, you have to give him credit as an artist. The figure actually did resemble a character in a popular (to some of us) TV sitcom years ago. I guessed this one right because we watched The Honeymooners. It was Ed Norton climbing out of (or into?) a sewer because that was his occupation. Art Carney played Norton. Jackie Gleason played the “bus driver” that Svengoolie gives as another clue. The main goal is to name the common underground drainage feature in cities, which was “sewer.”
The next drawing is of a guy either sneezing or coughing and Svengoolie makes it clear that it’s not the former. The clue was “cough.”
The drawing after that was of an ugly old crone, which was a bit difficult to get but turns out to be “hag.”
The last drawing was of some guy with a speech balloon with the cartoon symbols often used to indicate foul language or swearing. This clue was “cuss.”
The final answer? It’s “sarcophagus.” Sewer-Cough-Hag-Cuss. OK, almost there. I’ve done my own version of these in the past and I thought of this one for “sarcophagus.” The word “sewer” is a stretch, especially if you’re not from my generation, given the hints. I use different clues with different hints:
Sir: the drawing is that of a soldier saluting. What do soldiers often say when they salute? “Sir!”
Cuff: the drawing is a shirt cuff with a cufflink. What is this part of a man’s shirt called?
Hog: the drawing is that of a big sow. A large pig, either sow or boar, is often called a hog. What is this large farm animal?
Gust: the drawing is of gusts of wind blowing a flag. What is making the flag fly and flap? A “gust” of wind.
It ends up as Sir-Cuff-Hog-Gust. You’re supposed to say these fairly fast, running the words together to solve the puzzle. If you sound this out right, you get…that’s right, Art Carney!
Sarcophagus
Moving right along, we need to discuss this 1971 Hammer production movie which doesn’t really have a mummy in it. The gist of the story is that a group of archeologist explorers go digging around somewhere in Egypt and find this tomb with the beautiful but blurred Queen Tera (Valerie Leon) who is more mammarized than mummified, which accounts for the blurring of her chest area. In fact, even the ancient drawings of women on the tomb walls blur their boobs.
The film makers go to a lot of trouble hiding parts of Queen Tera’s anatomy, yet could not come up with a way to prevent Ms. Leon from flinching when one of the priests shoves what looks like a nasal irrigation device up her nose. I mean he really jammed it in there and she reacted by nearly jumping off the table, sneezing blood repeatedly and cussing like a stevedore! In general, this is not the way dead people behave…unless they’re in a Hammer film.
Anyway, after the nasal sinus irrigation leads to the flushing of about a pint of blood and a fairly large mosquito from her nose, the priests proceed to cutting off her right hand, along with a ring with a huge ruby (although not nearly as big as other parts which I will not mention and which are massively blurred in any case). The ruby contains a replica of a constellation of 7 stars which do not include Art Carney.
Actually, the seven stars thing is adapted from Bram Stoker’s novel “The Jewel of Seven Stars,” although, technically, only seven stars would not count as a galaxy, according to Zed from the well-known documentary film, “Men in Black” who had to school Agent J that the galaxy was not on Orion’s Belt, as anybody knows.
The group of explorers take Queen Tera and a lot of artifacts from the tomb, which turn out to be very bad for their health, including the daughter, Margaret (also played by Valerie Leon) of one of them named Fuchs (Andrew Keir). Margaret apparently has a partial exemption from the blurring clause.
Margaret seems to have no fear of the groping chopped off hand (played by Thing from the Addams Family, if you’re curious) of Queen Tera. But the explorers get their throats torn out either by Thing or the Pharoah Hound (also lifted from Bram Stoker), which has an annoying tendency to bark along to “Who Let the Dogs Out” by the Baha Men.
I’m not going to reveal the ending although I can tell you that it involves the only scene which reveals anything that even remotely looks like a mummy.
I think the movie is OK, but a bit blurry in places. I give it a Shrilling Chicken Rating of 3/5.
Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
Last night, I watched the Svengoolie movie, “The Creation of the Humanoids,” and I don’t mind telling you, I was reminded of Isaac Asimov’s book, “I, Robot.” Believe it or not, I purposedly avoided reading any other reviews of this movie to see if they mention the possible connection of Asimov’s book with this movie. It preceded the film by 12 years, and it’s at least conceivable that producers and writers might have been inspired by the plot, took the idea of the robot laws from the book and dressed it up in at least some of the dialogue. I think there’s also a connection to Artificial Intelligence (AI) in our own time.
The last two stories in Asimov’s book are “Evidence” and “The Evitable Conflict,” both of which seem to be exemplified in “The Creation of the Humanoids.” They’re both about the conflict between robots and humans and how difficult it is to apply the Laws of Robotics, the first of which is that “a robot not injure a human being or, through inaction, allow a human being to come to harm.”
The robots in the film actually create the humanoids with the overall goal of saving the human race from extinction. And they’re programmed to obey the “Prime Law” which prevents them from killing humans. The psychological conflict of Captain Kenneth Cragis (Don Megowan) and Maxine Megan (Erica Elliot) and the rationale the robots supply for what they did both to and for humans echo the Laws of Robotics.
In the movie, the politics of the racist conflict between the robots and the group calling themselves the members of the Order of Flesh and Blood remind me of the Civil War—right down to the uniforms of the latter and their slur for the robots, which is “Clickers” (substitute another two-syllable slur and you get the idea).
In Asimov’s story “The Evitable Conflict,” something called the Machine takes control of a variety of factors manipulating natural resources, goods, services, and even the social fabric on the planet to protect humans, who have a penchant for overusing and destroying resources and each other. The robots in “The Creation of the Humanoids” do something similar and break the fourth wall to tell you about it.
Anyway, Captain Kenneth Cragis is a member of the Order of Flesh and Blood and reminds me of a character in the 2004 movie “I, Robot,” which is Sonny. An important part of Cragis is hidden from the audience as well as himself.
The dialogue is heavily intellectualized and the robots, which are supposed to be blue, wind up showing up in different colors and those eyes! Cragis and his sister, Esme Cragis Milos (Frances McCann) have a protracted and almost poetic discussion about their differences of opinion about the robots. I wonder if McCann’s revealing dress was intended to distract the audience from the dry declamations.
The scene in which Cragis confronts the robot Pax who has somehow chosen Esme to be his main squeeze is puzzling. Cragis sort of breaks Pax (David Cross) and converts him into a ’57 Chevy, which barely upsets Esme. The scene in which Dr. Raven (Don Doolittle), a robotic scientist, makes some adjustments on a disembodied arm is one example of many which proves why even Svengoolie calls this movie “a low budget” production. The furniture pieces look like they’re made for children; both Cragis and Esme might as well have sat on the floor.
Ok, so this sounds more like a review than my usual fibs and jokes, but I think it’s because the movie reminds me of something that is on a grander scale. Speaking of scales, except for the low production value, I thought movie was pretty good and I would give it a 4/5 Shrilling Chicken Rating. Sena, who watched it this morning, thought it was really good and would give it a 5/5 rating despite “the glassy eyeballs.” So, I’ll give it a 4.5/5.
Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
It’s almost Christmas and while I was watching the Svengoolie movie “The Brides of Dracula” last night, it struck me that the chief vampire Baron Meinster’s eyes reminded me of holly berries. Yo, Hondo, somebody needs to break out the Extra Strength Visine!
You probably don’t remember the sequels to this film:
The Rides of Dracula, about a vampire’s collection of fancy horse drawn carriages; he’s sort of like the Jay Leno of wealthy car collectors.
The Double Wides of Dracula, about a vampire who’s the landlord of a mobile home park and charges extravagant “rent” (several pints of blood).
Just to clarify, despite the title of the 1960 British bloodsucker movie from Hammer Film Productions, the boss biter is not played by Christopher Lee (because he wanted too much money) but by David Peel so he’s not Dracula but both vampires roll their bloodshot eyes at every girl they meet.
What’s refreshing about this flick is Baron Meinster the monster actually talks, which Dracula didn’t. In fact, Meinster is articulate and suave, as befitting the wealthy nobleman who just happens to sharpen his fangs on the necks of pretty girls.
And Peel actually gets a sarcastically funny line you might miss unless you listen closely. It’s when Baron Meinster meets the headmaster of the Transylvania School for Ladies Who Want to Cultivate Longer Teeth. Herr Otto Lang (Henry Oscar) gets his comeuppance after he threatens to throw Baron Meinster (whose real identity is at first unknown to him) off the school property when he comes to woo the new teacher Marianne Danielle (Yvonne Monlaur). But after the gracious Meinster reveals who he is, which is the baron who owns the property on which the school sits (after which Herr Lang abruptly changes his tone), the baron reminds Lang that his school does a great job “for such low rent.”
There’s a fair bit of comedy in the few scenes in which a local country medical man, Dr. Tobler (Miles Malleson) meets Dr. Van Helsing (Peter Cushing). When Tobler reads Van Helsing’s business card, he discovers that Van Helsing is a doctor of many disciplines—except medicine. Earlier, Dr. Tobler prepares a quackery-type vaporizer steam therapy home remedy for himself, which includes myrrh of all things. It turns out you can inhale things like frankincense and myrrh via vaporizer; it sounds so three-wisemen-Christmasy that it fits the season!
On the other hand, Dr. Tobler doesn’t buy Van Helsing’s vampire explanation for why so many villagers are dying (in the undead sense), though he is open to taking a cut of the fees for applying the usual remedies like stakes, garlic, crucifixes, and the occasional self-branding with hot coals that goes way beyond vaporizers.
The bats look arthritic, but other than that the movie is OK. I give it a 2.5/5 Shrilling Chicken rating.
Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
Well, we watched the 1971 film “Duel” on the Svengoolie show last night. This was Sena’s second time seeing it and it was my first time watching this truly gripping movie, which was either Steven Spielberg’s first or second feature-length directing effort, depending on whether you believe Wikipedia or Artificial Intelligence (AI).
It started off as a TV movie and was later made into a movie for theaters, although it was inspired by a short story of the same name by Richard Matheson about a man vs machine cat and mouse game, published in a 1971 issue of Playboy. You can find copies of Matheson’s full story on the web, which is puzzling given copyright laws, but I guess some people are getting away with it.
Anyway, Dennis Weaver starred David Mann as a traveling salesman or maybe it was the rust bucket satanic semi-tanker truck which hunts Mann (a name that makes me think of “man” in the general sense of humankind) down on dusty two-lane highways through the California desert in an apparent act of the worst road rage you ever saw, triggered by Mann simply passing it.
At first, I wondered if there was any person actually driving the truck; maybe it was just a driverless demon truck. But on occasion you see a guy’s arm waving to allow Mann to pass him although one time this was into the path of an oncoming car coming from the opposite direction.
Early in the movie, I thought Mann’s radio in his car, which is a Plymouth Valiant (does the car model’s name Valiant signify something?) there is a goofy-sounding radio question and answer show with some guy complaining about a census question asking who is the head of household. The guy sounds really insecure and he obsesses about not being the head of household because he’s not the breadwinner because his wife is, and I think this set the stage for one of the ideas behind the movie, which is male anxiety about not being the “man of the family” and, by extension, this might point to nagging doubts in general about masculinity and the place of men in society.
This is typically where the TV commercials appear with Frank Thomas and Doug Flutie pushing Nugenix Total-T man-boosting snake oil elixir, guaranteed to grow your package 10 times “normal” size, which should make you ask what was going on with those Popeye cartoons in which he swells up after wolfing down a can of spinach and kicks Bluto’s ass followed by Olive Oyl swooning over him.
This radio program almost counts as a character in the film because almost everything that happens afterward is about who is more of a man—Mann or machine. Is that why some of us are anxious about AI?
By the way, were it not for Svengoolie pointing it out, I would never have noticed that what looks like a highway patrol car, which Mann swerves toward but avoids at the last second is actually a pest control vehicle with the name of the company “Grebleips Pest Control”—which is Spielberg spelled backwards.
One of my favorite scenes is the roadside café where Mann gets paranoid about all the guys in there wearing boots similar to those he saw when the guy driving the truck gets out and walks around. The boots are the only parts visible. There are several boot-wearing guys in the café who act like typical non-Nugenix Triple Total Titanic-T needing men who talk with their mouths full, drink beer, scratch their scrotums, and snicker at Mann—who just wants aspirin. He neurotically wonders which one he should confront and when he does—it’s the wrong guy.
I don’t want to overfocus on it but when the radiator hose fails and steam billows all over, engine temperature rising leading to Mann’s car slowing down, overheating and actually shutting down while the raging truck chases him, Mann is able to restart his car. Is that even mechanically possible? I think he stopped, shifted to neutral and coasted for a while, but he never stopped to make temporary repairs. By the way, is it true you can crack an egg over a busted radiator hose as a stopgap fix?
Would taking a dose of Nugenix Whopping Hairy Total-T help at all? Would a satanic truck politely quit chasing you long enough to allow you to do that? Did Mann buy any groceries at the roadside rattlesnake place including eggs?
Is Nugenix Whopping Whackadoodle Walker Texas Ranger Chuck Norris Plays Jenga with Stonehenge Totally Triple T enough to reverse what is happening to American males so that we can see the sequel to Duel—which would be Double Dammit Duel?
Don’t answer that. In any case, I think this is a pretty cool movie and I give it a Shrilling Chicken Rating of 5/5.
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