Tag: Big Mo Pod Show

Thoughts on the Big Mo Pod Show: Theme “Music Changes Context”

I heard the Big Mo Pod Show, which relates to the quiz about 5 songs he played on the Big Mo Blues Show last Friday night. He got all the artists right, just missed 3 song titles!

I had a couple of thoughts about the song lineup related to the theme “Music Changes Context.” Actually, the point was that one of the songs had what might have made some people mad. It was “Funky B***h.” The idea was that some words might be offensive if you say them, but when words are sung, that might make them not offensive, in a way. It’s a matter of opinion.

How that happens is not clear. Big Mo’s example of it was in a historical context related to slavery. Slaves could not say certain words while they were working in the fields. But the overseer would let them get away with if they used the words in a song.

I heard one song that was not part of the Big Mo Pod show that might put a different spin on the idea of how music changes context. It’s about brotherly love, in a manner of speaking—or in a manner of singing, I should say.

Big Mo Pod Show Theme: Subverting Expectations

I want to give a shout out to the Big Mo Pod Show Subverting Expectations that aired on May 11, 2024 following the Friday Big Mo Blues Show on May 10, 2024.

What impressed me most and puzzled me a lot was the tune that Big Mo didn’t talk about on the podcast. The tune was a dazzling guitar performance called “Hot Fingers” by a duo called Lonnie Johnson and Blind Willie Dunn. Big Mo said it was recorded in the 1920s.

I looked for a video of it and could find several with the picture of what looked like a Caucasian guitarist and nobody else. I also saw one picture with the Caucasian guitarist and what looked like a cut-and-pasted photo of a black guitarist.

Because I couldn’t tell who was who, I googled their names. It turns out that Lonnie Johnson was a well-known blues guitarist. He was black. Lonnie Johnson recorded “Hot Fingers” with another famous jazz guitarist named Eddie Lang, who was white. Eddie Lang used the alias of Blind Willie Dunn in order to hide his race while performing with Lonnie Johnson. I’m not sure how Eddie Lang could pass for black, an interesting twist in the late 1920s. I’m not saying either was racist. Why would they have performed together if they were? And why would Eddie Lang have adopted the black-sounding pseudonym?

So that brings me back to the title of the Big Mo Pod Show which was Subverting Expectations. The expectation that gets subverted had to do with a tune I don’t remember hearing on Friday night. It was “That Lovin’ Thang,” by the group Tas Cru, with which I’m unfamiliar. Big Mo remarked that you could listen to the blues as played by Tas Cru with an expectation that they were going to make mistakes in their performance—which never happened, attesting to their talent.

On the other hand, it strikes me that the story behind Lonnie Johnson and Blind Willie Dunn (Eddie Lang) does create its own sort of subverted expectation, in a different sense. I know Blues music experts already knew that, but it was news to me.

Big Mo Pod Show 006 on KCCK Radio Iowa!

I got an update to the Big Mo Pod Show on Iowa’s only jazz and blues radio station KCCK 88.3 in Cedar Rapids (translator 106.9 in Iowa City). Last Friday on the Big Mo Blues Show, host John Heim (aka Big Mo) played a lot of tunes, which he gets quizzed about a day or so later on the Big Mo Pod Show.

He gets quizzed about the name of that tune, the artist, and why he picked that tune for the show. He got them all except for one; he said “East Coast Blues” instead of “West Coast Blues” as the song by Blind Blake. He was almost perfect.

I was listening that night, but the Seasick Steve number I missed. It’s misspelled on the KCCK website on May 5, 2024 as “Internet Coyboys,” but it’s “Internet Cowboys.” Maybe by the time you read this, it’ll be corrected. It’s all about spending too much time on the internet. We need to disconnect. I’m sort of a fan of Seasick Steve, ever since I heard him do “You Can’t Teach an Old Dog New Tricks.” It means something special to old dogs like me.