Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
Last night I thought I was going to see the movie “Son of Frankenstein” again because I saw it a year and a half ago.
In fact, while watching it I thought I either fell asleep during most of it the first time or it was a different movie. Because Svengoolie mentioned that it was a longer version of the film, I’m pretty sure it was the latter.
I didn’t write a review of it in 2024 and I also mentioned that I hadn’t read the Mary Shelley’s novel. “Frankenstein, or The Modern Prometheus.” So, today I actually read the Gutenberg Project version of it (OK, I don’t know if it’s the 1818 or the 1831 edition and this was not required reading in my college literature class), which was devilishly difficult to read because of the page setup.
Despite the archaic diction, I thought it was a great book and it confirmed my thought about one of the major themes in it—revenge.
I think one of the most interesting things about Shelley’s book is the connection to Prometheus. So, Dr. Jenny Lind Porter taught my English Literature class at Huston-Tillotson College (now H-T University) in Austin, Texas and she assigned the paperback edition of “Mythology” by Edith Hamilton back in the mid-1970s. The original copyright year was 1942, renewed in 1969.
One of the interesting stories about Prometheus is that he cooked up a fake steak dinner for Zeus by tricking it out with a lot of fat, bone, and gristle and gave fire to men so they could barbecue the best cuts so Zeus took revenge on Prometheus by tying him to a rock where a huge eagle snacked on his liver every day which regenerated making the torment a regular thing. Prometheus also cautions against the threat of unrestrained scientific progress and hubris (overweening pride).
Anyway, “Son of Frankenstein” is a 1939 Universal Films movie starring Basil Rathbone (Baron Wolf von Frankenstein), Josephine Hutchinson (Elsa von Frankenstein), Donnie Dunagan (Peter von Frankenstein), Boris Karloff (the monster), Bela Lugosi (Ygor), and Lionel Atwill (Inspector Krogh).
The theme of revenge is strong in “Son of Frankenstein.” Ygor takes revenge on the two living council members who hanged him after the elder Frankenstein first let the monster loose. Lugosi is both creepy and funny at times. I think the makeup job on his neck made him look like he has a chicken bone caught in his throat when viewed in profile.
I was pretty impressed by Frankenstein’s gradual transformation from a gentle husband and father to a high-strung, sarcastic, and extremely irritable and driven mad scientist.
The dart game between Inspector Krogh and Frankenstein are almost surreal, occurring at a time when the mood is very tense when the action going on elsewhere in the castle is dire enough to demand their attention to something else other than playing darts. I got the sense Frankenstein threw darts because it’s cheaper than therapy.
The monster’s behavior varied from being a dumb randomly violent beast to a calculating criminal methodically setting up one of his brutal murder scenes to make it look like an accident.
I think this movie is pretty good and I give it a Shrilling Chicken Rating of 4/5
Go Retire Psychiatrist 