Svengoolie Intro: “Calling all stations! Clear the air lanes! Clear all air lanes for the big broadcast!”
I watched the Svengoolie movie, “The Skull” last night and it was fairly interesting in that the heirs of the Marquis de Sade, (whose skull the movie was about) actually forbade his name and title be mentioned in the 1965 advertisements in the French territories because he was never involved in devil worship. However, he was not innocent of other badness and spent much of his life in and out of prisons and insane asylums.
Despite that, various people want his skull, the first of which was Pierre, a phrenologist (Maurice Good), who ended up getting killed shortly after he stole the head of the corpse of the Marquis de Sade, boiled off the skin, and after finding a few bumps and dips indicative of the guy’s craving for kale and turnips, ended up dying in the boiling peanut oil used to clean off the skull.
I guess the Skull (played by a skull) had supernatural powers connected to four statues of demons whose names are Moe, Larry, Shemp, and Curly Joe, which are bought at auction for a heck of a lot of money by Sir Matthew Phillips (Christoper Lee) who outbid Christopher Maitland (Peter Cushing), and the latter tried to win them from him in a long game of what looked like snooker. Neither could play worth a tinker’s damn yet one of the statues (Shemp) ends up in the hands of Maitland anyway because the skull can evidently move things around if you play spooky music while pointing a camera at it.
But an unsavory guy with a sinus problem (probably from snorting Copenhagen) named Anthony Marco (Patrick Wymark) winds up with the Skull and tries to sell it to Maitland for a 1000 pounds, an asking price which he quickly reduces to 500 pounds when Maitland refuses to lay out that much cash for a skull when he could order a full skeleton from Walmart for a fraction of the price. It turns out that Marco got the Skull because Sir Matthew Phillips allowed it to be stolen from him because it seemed to stare at him no matter where he stood in his parlor, putting him off his aim whenever he tried to play snooker.
Things get progressively creepier as the Skull is capable of hypnotizing everybody, especially Maitland, who hallucinates an endless game of rock, paper, scissors with a couple of fiends and a judge who tries to settle the situation by flipping a coin transforms it into a Star Trek phaser used in a Russian Roulette thing until Spock puts the Vulcan nerve pinch on the judge.
The showdown with the Skull comes to a head (see what I did there?) when it plays the song “Bone to be Wild” on its favorite musical instrument, the xy-lo-bone, with its chin.
So, this movie’s pretty dark but they do a fair job with the only prop, which is a skull. It could have been funnier. I give it a shrilling chicken rating of 2/5.


I noticed that “Born to Be Wild” that song that was overplayed in many of my high school dances – is also a common theme of bad movies these days. I hope Steppenwolf is still getting royalty checks.
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