Big Mo Pod Show: Music of the People

I caught the Big Mo Pod Show today, “Music of the People” and of course, I listened to his Friday Blues show last night.

Big Mo Pod Show 085 – “California Bluesin” KCCK's Big Mo Pod Show

After a short break during the Thanksgiving holiday your hosts are back at it again with another episode! This week features the usual mix of blues eras you’ve come to expect along with a few Californian artists, tune in to see which ones! Songs featured in the episode: Solomon Hicks – “Further On Up The … Continue reading
  1. Big Mo Pod Show 085 – “California Bluesin”
  2. Big Mo Pod Show 084 – “Garage Blues”
  3. Big Mo Pod Show 083 – “Legal Pirate radio”
  4. Big Mo Pod Show 082 – “Tribute”
  5. Big Mo Pod Show 081 – “Cheers To Kevin”

Big Mo is a bottomless pit of blues music knowledge (as well as other genres) and that takes me back to my wasted youth when I had a short conversation with one of my former bosses when I worked for Wallace Holland Kastler Schmitz & Co., a consulting engineer firm in Mason City, Iowa.

Ages ago, Ralph Wallace and I got into a short conversation one day about blues music, believe it or not. I can’t recall what actually got that short chat started but it was kind of surreal. He asked me about what I liked about the blues and I brought him up short by telling him I didn’t know anything about it.

I think Ralph thought I would know about the blues just because I was black. I didn’t. He even tried to prompt me by asking about different kinds of blues music, for example 12 bar blues and so on. I’ll never forget his facial expression when he realized I barely knew it existed. He looked puzzled and incredulous. He was a white man and knew more about it than I did. I think it stunned him that a black guy was completely ignorant of the blues.

I could dismiss the interaction simply as a mild form of racism, but I think it was more complicated than that. He was the boss of the company who gave me my very first real job but really didn’t know anything about my background. I was the child of a black man and white woman and my father left home when I was just a little kid. I went to an all-white church. I went to all-white schools, that is, until I was persuaded by a white woman and the black pastor and professor of religion and philosophy to enter Huston-Tillotson College (now Huston-Tillotson University), one of the HBCUs in America located in Austin, Texas. I first heard gospel music there and it raised the hair up on the back of my neck.

It’s a little ironic but I also think of John Heim (aka Big Mo) as another white man who knows more than I’ll ever know about the blues. And I’ve been learning from him for years, which is great.

So, the point is that the theme of the Big Mo Pod Show today is “Music of the People.” The blues is music for all people and the songs can have broad appeal.

One example is the song “Artificial” by Walter Trout. It’s a modern rant against the many synthetic artifacts in modern society and that includes something I rail against—Artificial Intelligence (AI). I can relate to it.

One song that didn’t make it to the list of 5 on the pod show but which was on the blues show last night was “Room on the Porch” by Taj Mahal and Keb’ Mo’ (featuring Ruby Amanfu). I got a surreal feeling about it because it’s about being openly welcoming to everyone. I hear a note of irony in it related to the current conflicts in America and around the world which highlight the opposite of openness and welcome. They’re not new.

On the other hand, I don’t think either Taj Mahal or Keb’ Mo’ intended for the song to be ironic. Maybe I just hear it because of all the background noise that has to be called reality because that’s what’s out there.

What if they’re not being ironic? What if they believe it and they’re trying to say there’s a good reason we should think of the blues as the music of the people—all the people? Where could we go from there?

 Big Mo said it last night, “The blues can heal you, if you let it.”