On the Other Hand Thoughts on HBCUs

Historically Black Colleges and Universities (HBCU) are in the news lately. It reminds me of the short time I spent at Huston-Tillotson College. It was renamed Huston-Tillotson University (H-TU) in 2005. I was there in the mid-1970s.

A new President and CEO was just named this month, Dr. Melva K. Williams. And H-TU was recently added to the National Register of Historic Places last month. It has been renovated and modernized. Pictures show a well-kept campus pretty much as I remember it over 40 years ago. I didn’t graduate from H-TU, but instead transferred credits to Iowa State University where I graduated in 1985.

My favorite teacher was Dr. Jenny Lind Porter-Scott, who was white, taught English Literature. Another very influential teacher was Reverend Hector Grant who was black. He taught philosophy and religion. He was instrumental in recruiting me to matriculate at H-TU. He helped me to process my loss on the debating team when the question was whether or not the death penalty played any role in the reduction of crime.

My opponent won the debate mainly because he talked so much, I couldn’t get a word in edgewise. I can’t remember which side of the question I argued, but I thought I could have done better if he had just shut up for a few minutes and let me speak. Reverend Grant used the word “bombastic” in describing the approach my opponent used. On the other hand, he also gently pointed out that sometimes this can be how debates are won.

There’s this “On the other hand” tactic in debating and in reflective thought that my debating opponent managed to repeatedly deflect.

I don’t know what ever happened to Reverend Grant. We spoke on the telephone years ago. He sounded much older and a hint of frailty was in his voice.

I could find only a photo on eBay of a man who closely resembles the teacher I knew and the name on the picture is Reverend Hector Grant. The only other artifact is a funeral program for someone I never knew, which lists Reverend Hector Grant as being the pastor and some of the pallbearers were members of one of the Huston-Tillotson College fraternities.

I think it’s unusual for people to disappear like that, especially nowadays when we have the world wide web. Reverend Hector Grant was an important influence for me. He was one of the few black men of professional stature I encountered in my early life.

On the other hand, contrast that with Reverend Glen Bandel, another clergyman who was a white man and another important influence starting in my early childhood. Reverend Bandel persuaded me to be baptized at Christ’s Church in Mason City, Iowa. He radiated mercy, generosity, and kindness. He died in June of this year. I can find out more about him on the web just from his obituary than I can ever find on Reverend Grant, who apparently disappeared from the face of the earth.

Both of these men were leaders for whom skin color didn’t matter when it came to treating others with respect and civility.

My path in life was largely paved by these two clergymen. Reverend Bandel sat up with our family one night when my mother was very sick. His family took me and my little brother into their home when she was in the hospital.

On the other hand, Reverend Grant was instrumental in guiding me to an HBCU where I saw more black people in a couple of years than I ever saw in my entire life. The First Congregational Church in Mason City was instrumental in making that possible because they helped fund the drive to support H-TU (one of six small HBCUs) by the national 17/76 Achievement Fund of the United Church of Christ.

The news is replete with stories, some of them tragic, about how Greek fraternities haze their pledges. On the other hand, H-TU was pretty rough on pledges too. Upper classmen would make the pledges roll down the steep hills around the campus. They looked exhausted, wearing towels around their necks, running in place when they weren’t running somewhere in the Texas heat.

One H-TU professor said that H-TU was “small enough to know you, but big enough to grow you.” Although I can’t remember ever seeing him on campus because he was traveling most of the time, I at least knew the name of the President was John Q. Taylor (1965-1988). On the other hand, when I transferred credit to Iowa State University, I never knew the name of the President of the university.

Habari Gani is Swahili for “What’s the news?” or as it translated in the context I’m about to set, “What’s going on?” Habari Gani was the name for the annually published book of poetry by the H-TU students. Dr. Porter supported the project. I submitted a poem for the 1975 edition, which didn’t make the cut. When I transferred to Iowa State University, I left without getting a copy.

On the other hand, years later, I got a digital copy of that edition. I tracked it down to the H-TU library in 2016. The librarian was gracious.

Habari Gani has always been a reminder of the reason why I went to H-TU in the first place. I grew up in Iowa and was always the only black student in school. I grew up in mostly white neighborhoods.

On the other hand, when I finally got to H-TU, one of the students asked me, “Why do you talk so hard?” That referred to my Northern accent, which was not the only cultural factor that made social life challenging.

Once I tried to play a pickup game of basketball in the gymnasium. I’m the clumsiest person for any sport you’ll ever see. I was terrible. But the other players didn’t give me a bad time about it. They softly encouraged me. This was in stark contrast to the time I played a pickup game with all white men years before in Iowa. When I heard one of them yell, “Don’t worry about the nigger!” I just sat down on the bleachers.

On the other hand, when I was a kid and our family was hit by hardship, Reverend Bandel was the kindest person on earth to us—it didn’t matter that he was white. And my 2nd grade teacher, who was black (the only black teacher I ever had before going to H-TU), slapped me in the face so hard it made my ears ring—because I was rambunctious and accidentally bumped into her. It’s far too easy to polarize people as good or bad based on the color of their skin, especially when you’re young and impressionable.

It takes practice and experience to learn how to say and think, “On the other hand….”

February is Black History Month: Lift Every Voice and Sing

February is Black History Month and I have been searching the web for a nice rendition of the song Lift Every Voice and Sing. This is otherwise known as the Negro or Black National Anthem. I found an excellent performance recorded on YouTube by over one hundred students and alumni of the Historically Black Colleges and Universities (HBCU). They are members of the National HBCU Concert Choir.

That means something special to me because I attended Huston-Tillotson University back in the mid-1970s. Sure enough there was a member of the choir from H-TU.

The school was called Huston-Tillotson College back then. I was there for just a couple of years before I transferred credit to Iowa State University, graduating from ISU in the mid-1980s. I remember my first year in the men’s dormitory. That’s right, the women were separated from the men. There was no air conditioning, if you can imagine that in the sweltering summer of Austin, Texas.

I remember vividly the powerful rendition of Lift Every Voice and Sing as performed by a woman on an evening radio show I would listen to while trying not to think about the heat. She sang it before every show. I don’t remember anything else about the format or content of the program—just her impossibly perfect voice. I have not heard anything more compelling since then by a single performer.

The history of the song and the lyrics is on the NAACP web site. The first performance was by 500 schoolchildren. The National HBCU Concert Choir version probably fits the intention of the authors, James Weldon Johnson and his brother, John Rosamond Johnson. It’s in the title of the song itself, Lift Every Voice and Sing. It’s meant to be sung by many in unison.

Jenny Lind Porter Scott: In Remembrance

I met Dr. Jenny Lind Porter Scott, one of my favorite teachers, in the mid-1970s during my first two years of college at what was then called Huston-Tillotson College (now Huston-Tillotson University or HTU). It’s one of America’s historically black colleges. I didn’t graduate from there, instead transferring credit to Iowa State University and taking a degree from there which eventually led to my graduating from the University of Iowa College of Medicine.

I’m sure there are no records of my attendance at HTU. I was recruited by Dr. Hector Grant, a professor of religious studies and philosophy who was traveling around the country and giving presentations to various church organizations to garner financial support for the college. I was awarded a $1,000 tuition grant under the auspices of the 17/76 Achievement Fund of the United Church of Christ.

 I have neither degree nor transcripts from HTU. But I have my memories, and one of the most special memories is of Dr. Porter. One of the main reasons for today’s post is my finding her obituary on the web this morning. She died at the age of 93 in July of this year. I saw two obituaries, one apparently written by the funeral home on the Texas State Cemetery web site and the other appears in the Austin American Statesman.

Both list her many achievements as an educator, a leader among women, and a gifted writer. They also cite what might seem to be a minor detail to anyone but me and other students who knew her in the 1970s, which is that she “…established a Creative Writing program at Huston-Tillotson University…”

One of the products of that program was Habari Gani, a poetry anthology created and supported by the HTU student government and sponsored by Dr. Porter. “Habari Gani” is Swahili, which means “What’s going on?”

There was a poetry contest which preceded the publishing of Habari Gani. Mine didn’t make the cut and I left the school before I could get a copy of the anthology. Luckily, after a short web search, I was able to connect with the HTU librarian, who was kind enough to send me a digital copy in 2016. I like the introductory poem:

“Let your hum be the dream

Of an understanding universe…

Let your hum be a perfect

Utopia of love”

–Patricia Lloyd

Around that same time and in previous years, I would sometimes hear about Dr. Porter. Just when I had forgotten her, it would seem like somebody would send me a message about her. That began around 2011 when I left the one and only review on Amazon about one of her books of poetry, The Lantern of Diogenes and Other Poems, first published in 1954. It’s the only one I have. I was never able to connect with her after I left HTU.

Sadly, in 2016, I found out that the City of Austin, Texas was proposing to demolish her house. I watched the video-recorded public proceedings of the city council meetings involving the Austin Historic Landmark Commission. Those who knew Dr. Porter wanted to preserve the house as an example of the work done by a famous local architect (which they believed they could verify) and to honor her stature in literature and education. The meetings were painful to watch. I gathered that Dr. Porter’s house had fallen into disrepair and little could be done to preserve it. She had also developed a dementing illness which impaired her ability to manage her own affairs. Her husband had died several years earlier and it sounded like a decision-maker had been appointed to help her.

I had email messages from the Historic Preservation Officer and the local architect who planned to build a house with similar architectural style for a client. The plan included a micro free library, a small replica of the original house at the corner of the lot, and other items. The project was to begin about 8 months after demolition and I’ve not heard anything since. A Google Map search dated March 2019 shows a weed-covered empty lot at 1715 Summit View Place. There are hard facts of life I would rather forget sometimes. But I keep a few memories.

What I remember most vividly is her live poetry reading performance at the annual Faculty Talent Show on campus. It was held in the Agard-Lovinggood Auditorium (now a campus administration building).

Her act brought down the house because it was a strip tease. Don’t get me wrong, there was nothing salacious about it. It was absolutely typical for her legendary sense of humor and style. Of course, it was the ‘70s. Too bad I didn’t have a camera.

Dr. Porter loved her students. We believed in her courage, kindness, and strict attention to the sense and structure of English literature and language. My poem didn’t make it into Habari Gani for any other reason other than it was bad poetry. The important thing was—our lives mattered a great deal to her. She tried to teach me about Rosicrucianism, but it was over my head. The lead poem from her book is pretty down to earth.

The Lantern of Diogenes

by Jenny Lind Porter

All maturation has a root in quest.

How long thy wick has burned, Diogenes!

I see thy lantern bobbing in unrest

When others sit with babes upon their knees

Unconscious of the twilight or the storm,

Along the streets of Athens, glimmering strange,

Thine eyes upon the one thing keeps thee warm

In all this world of tempest and of change.

Along the pavestones of Florentian town

I see the shadows cower at thy flare,

In Rome and Paris; in an Oxford gown,

Men’s laughter could not shake the anxious care

Which had preserved thy lantern. May it be

That something of thy spirit burns in me!