The Big Mo Pod Show title is about planting seeds in a metaphorical way. One of the seeds Big Mo sows is his comedy bit on MayRee’s hand-battered catfish. It’s just one of his hilarious faux sponsor routines that he frequently tweaks, and the subtle changes are difficult to catch if you don’t listen to his show every Friday night. It evolves, kind of like a shaggy dog story joke. My lame imitation from my crippled memory is below:
You see, MayRee’s hand-battered catfish is better because it’s battered, cooked to perfection with manic delight, packed with nitrates at her shack which you can find at the corner of Highway 6 and Snowflake Drive, and if you tip her and give her a wink, she’ll set you up with a mason jar of her famous kickin’ mule’ not sure if it’s all the way legal, but it comes in 3 flavors, Classic Clear, Golden Grabass, and just right for the holidays, Pumpkin Spice, that’s Mayree’s hand-battered catfish; it’s better because it’s battered.
You get the idea. I’m still trying to sell him on my design for a MayRee’s hand-battered catfish tee shirt. Don’t know why he’s not biting that hook. The catfish could be a fire truck red color, just sayin’.
So, the pod show title is “Planting Seeds” and that’s related to the idea of fundamental, historically important basic elements of blues music, specifically in the case of Jessie Mae Hemphill’s song “Jump, Baby, Jump.” Both Big Mo and Producer Noah agree that this example of North Mississippi hill country folk trance or hypnotic griot music (or grio, pronounced Gree-oh; a kind of West African traditional oral folklorist) which serves as the seed or basis for building on other layers (instrumental or otherwise). That’s just what I picked up from the internet.
Big Mo distinguishes this from “production” style music you hear a lot of nowadays on the radio and I get his disparaging tone about it.
Anyway, that’s the rich music history part of the pod show, which you can get by listening to KCCK on your radio dial at 88.3 or click on the Listen Now to hear by internet.
Now, what is also great about the show is Big Mo’s own historical perspective on music. That’s what you get by growing older. And that’s why my favorite song from last night from the Big Mo Blues Show was Curtis Salgado’s “The Longer That I Live.” I can identify with the lyrics.
Go Retire Psychiatrist 